Star Wars: Skywalker kora

Az IMAX-ben ütős volt. Az év hatalmas űrbeli előadása, rohamos tempóval, elképesztő (digi)helyszínekkel, finoman mozgó kamerával és nosztalgiával, régi szereplők váratlan felbukkanásával alátámasztva. A záró konfrontációt annyira erőteljesnek éreztem, majdnem olyan volt, mint végső szembeszállás Sauron-nal. És végre megkedveltem Daisy Ridley-t. A régi-új szereplők új identitásának felfedése számomra nem adott sok értelmet, de mivel nem emlékszem pontosan, hogy mi történt az előző részben, mindegy volt (ezt a trilógiát nem tekintem a szeretett STAR WARS részének, ez csak üzleti parazitás). De a második vetítés egy sokkal kisebb vásznon, ahol lehetetlen volt nem észrevenni, hogy a nézővel való munka elmesélni egy értelmes történetet nem volt annyira becsületes, levitte a filmmel kapcsolatos véleményemet. Ez csak egy látványos, egyszer használatos hullámvasút, egy csali a Disneyland új SW részlegébe. (2019.12.24)

I watched the 9th episode of Star Wars while knowing that it has bad ratings on this site. And I have to admit that I must slightly object. This movie doesn’t deserve bad ratings. It is evident that it deserves good ratings. The problem is not with the actors. We have been living with them for a few years already and among the newest ones, the closest to my heart are Oscar Isaac and Adam Driver. We can state that as a fact because the actors are simply good. Moreover J. J. Abrams is a certainty that considering the technical aspects, this movie would have adequate amount of tension as well as action. That I acknowledge with gratitude and I appreciate it. Considering this aspect, The Rise of Skywalker is quite decent. The problem with which everything rises and falls is the script. But what did you expect? I do admit that the screen writers could have omitted a few scenes. Not only do I have the feeling that all stormtroopers are black now, which feels like racism, but moreover I have a feeling that in nowadays Hollywood movies, there must be a black general, which also feels like racism. From time to time I had to close my eyes to be able to finish this movie but eventually I did finish it and I must say that it was more or less a good movie. Let us not lie to each other, this trilogy is not a world-wide breakthrough, so why should we judge it as such? It is just fine for 4 stars. (2019.12.29)

About halfway through, it was an excellent, brisk fairytale that made sense and delivered a refreshing joke here and there. Without any irony, it was fine. But from the moment Rey's origins were revealed, it magically became a horribly stupid, bizarre, clichéd, clueless piece of idiocy that would have been beautifully parodied by Monty Python if they still were around. I suffered like an animal, hiding my head in my hands and counting the minutes until the end of the second half. When Finn says "I can feel it.", I had a fit of laughter; not joyful, but despairing, disbelieving at what I was seeing and hearing. I can't believe the pervasive pathos in the ending is the work of someone as clever as Abrams, didn't he maybe suddenly go on vacation and let Emmerich take control instead? I can totally see the brainstorming session of Disney executives gathered around the table, panicking about how best to blow it so as to avoid the miserable box office results of the eighth installment (an excellent one, by the way, I still stand by that). That one at least offered a bold detour, took things in its own way and unfortunately stumbled. So Disney has cowardly negated the whole thing, stood it on its head, nonsensically incorporated old themes and characters, and the result is the proverbial stew cooked by a dog and cat that makes your tummy hurt, and not even charcoal will help you. (2019.12.21)

Disney reap what they sow, and it's not a pretty sight. Episode VII bet on nostalgia, so I've forgiven the new boring protagonists. Episode VIII took a different direction, but the studio found they didn't like where it went. So in Episode IX they try to fix everything from the previous film and we're with Rey, Kylo Ren, Poe and Finn for the third time and they're actually still utterly boring and empty characters. And now, as a viewer, I am supposed to be interested to see how they turn out. I just don't give a shit. J.J. Abrams isn't actually wrapping up a trilogy here, his main job is to clean up the mess that came from not knowing what they wanted at Disney. He may have done the best job he could, but that doesn't change the fact that whenever there’s no action and Rise of Skywalker attempts some emotion and relationships, it's awfully boring and annoying. The movie has no foundation to build on in that regard and out of desperation even has to make up new rules for how the world works. And yet it fails to evoke any emotion other than a sense of giant disappointment. The ninth Star Wars did succeed at something I didn't think could ever be accomplished. They stifled my enthusiasm for the franchise. I sure as hell hope not forever. (2019.12.19)

The 4 billion acquisition must be great, but it's also the most expensive funeral in history for a pop culture icon who, in his eagerness to please everyone, has stagnated in place, and is pathetically floundering in the shit that zero dramaturgy and auteurist belligerence got him into. When I looked at my watch after an hour, the question of whether something was about to happen was inevitable. And then the floodgates of pathos, platitudes, and the easiest solutions were raised, where someone should have hit the table at the writing stage and shouted that nobody could take such a shit seriously. Instead, it ended up on the screen. Johnson may have disrespected the canon and boldly relativized all that this religion entails. Abrams respects nothing and the result is a ridiculous nothingness that lacks good characters and cool moments, making it look like a generic Marvel movie - obviously expensive, colorful, frilly - but lacking passion and any iconic monument for future generations. Burn in hell, Disney, and all of you who have anything to do with it! (2019.12.19)