Suicide Squad - Öngyilkos osztag

Rosszarcú egyénekből álló menő csapat, akik stílussal és grimaszokkal nyűgöznek le, de a "sztori" nem ad nekik esélyt a kibontakozásra vagy arra, hogy bármit is hozzátegyenek. Különösen a nagyszerű Jared Leto erőfeszítései mellett, akinek Joker csupán egy ikonikus mellékszereplő, ez bánt. A vicces beszólások, amelyeknek a film legfőbb fűszerének kellett volna lenniük, itt is ritkák. A szaftos Margot és a filmzenei slágerek továbbra is az Öngyilkos osztag egyik csúcspontja. Első megtekintésre szó szerint lenyűgöző. De második megtekintés után, amikor a néző mélyebbre tekint a film takarója alá, bebizonyosodik, hogy csak azok tartják a filmet a felszínen. (2016.08.09)

The DC Universe hasn't even had time to be born and it's already dead. The dramaturgically-incompatible group at Warner Brothers craves a more discerning audience, but with their results, they're looking at a target audience of 13-17, who (given the earnings) probably won't care that the plot makes no sense at all, that the team doesn't work as a team even once, and that the ass-kicking isn't a highlight for which to praise a character. I want to go to the alternate universe where Ayer made it in his own way, and it’s one hour longer and does away with the moronic humor. In many of its details (the clear action, a decent portion of darkness and suspense) it looks like a prelude to a major comic book film, but someone in the editing room screwed it up in an absolutely monstrous way. The most interesting character in the finale is Killer Croc. I want him to have a solo movie. (2016.11.07)

I was expecting something brisk and cheeky, and I got a hilarious mash-up of elements that work in Marvel movies, but not in DC. Their new multiverse is confusing and disjointed pulp that gives the impression of something born in the heads of suits at table and not in the head of a person who really has an overview and a clear vision of what the whole should look like. Someone like Kevin Feige is missing here (DC Sandbox guardian Snyder is not even able to look after his films, let alone the whole universe). Ayer is desperately groping in terms of directing and the screenplay (the only twist in the zero plot is the scene the viewer saw shot after shot an hour before, wtf?), the types of sociopaths are rather good at first and often unused (Leto's over the top Joker as a romantic filler?). The soundtrack is so puffy and eclectic that it fades out into nothing. Scenes with Deadshot mainly kick ass, which Will Smith made into a pure pleasure (because ***) and a few scenes with sexy Margot Robbie. Otherwise, this wannabe radical slap to the competition is just a sweaty affirmation of the superhero status quo which, unfortunately, is not even half as amusing as in the case of the Guardians of the Galaxy. The attempts to create a dark picture of the world, which is ruled by the brutal bitch Amanda Waller instead of Nick Fury... sorry, it feels so convulsive that it can't be taken very seriously. DC is groping (and it’s still not fun). (2016.08.03)

I probably don’t even have to mention that I was really looking forward to Suicide Squad. After the ghost town that the cinema has been these last few months, this movie was exactly the one standing out from the rest of the new releases. And the trailer’s made it look kickass. I’ll admit that my expectations were similar to Watchmen – a politically incorrect comic movie that swims against the tide. But it would have to be a completely different movie for that to be true. Let’s start with the upside which were definitely the actors. Suicide Squad is – as expected – an interesting gang and they’re hard not to love. Jared Leto is absolutely amazing as Joker, perhaps the scariest Joker in all of movie history. But the issue is that he’s barely in the movie at all. Now to get into the downsides, the movie doesn’t come up with a story that’s innovative in any way and it tells it very awkwardly. The first third is an episodic introduction of the individual characters. The second third is an introduction of an alien entity the Squad will be up against. And the last third is one big team fight. You won’t be able to find any deeper meaning there. However, the action shots are pretty solid. The director David Ayer has not filmed such scenes for the first time. But after watching this, I felt as if I’ve just finished watching another completely ordinary comic movie that are thick on the ground lately. Or maybe my expectations were too high. So that’s why I’m giving it three stars. Oh and the soundtrack may be nice, but it sounds so forced that it doesn’t even end up fitting in. (2016.08.16)

I can’t say that a witch out of a 1980s fantasy B-movie is what I've been missing from current comic-book flicks. In fact, she is a completely interchangeable DC villain who wants to destroy the world simply because she can. Not even the (unintended) creation of the evil Enchantress by those who are supposed to protect the world is innovative by today’s standards (which immediately gives away the point of the film, which is that working with villains can backfire on you). Most of the film’s other elements are also interchangeable, as Ayer mixes them together willy-nilly, albeit with a certain sense of rhythm. The first hour comes across as a condensed recapitulation of a ten-part series – all exposition, no development. In terms of time and space, the second hour is a slightly more cohesive super-villain variation on war movies in the mould of The Dirty Dozen and westerns like The Wild Bunch (including fatalistic dialogue before the final conflict, but without any significant development of the relationships between the characters or their ability to work together). Though the prologue indicates that Deadshot and Harley will be the protagonists of the narrative, their private dramas (their relationship to the daughter/Joker) do not drive the narrative, but rather slow it down, as they have minimal impact on the direction of the plot. The Joker, who looks like a goth who’s off his meds and inspires more sympathy than unease, always just shows up, does a little damage and disappears, like the returning bosses in some computer games, which seemed to be a source of inspiration for Ayer when he was slapping the plot together on the fly (or at least it seems so). Nothing would change if the Joker wasn’t here. The whole film is still needless and half-assed and unpolished, and while it manages to get and hold your attention with its witty characters, driving soundtrack and slightly psychedelic visual stylisation, the end result is merely two hours of loud, colourful distractions without any serious points of interest. 55% (2016.08.04)