Füstölgő Ászok

Alapvetően csak egy újabb változata a Guy Ritchie-féle krimi-videóknak, ami semmi újjal nem fog meglepni. De az adrenalinnal teli dinamizmus és a gonosztevők expozíciója ismét elsőrangú, és ha a kezdő tempó egy kicsit lassabb lett volna, és a karakterek bemutatása mélyebb lett volna, akkor a mészárlásos finálé nem csak színlelhette volna a NAGY ÉRZELMEKET, hanem tényleg ébresztette volna őket. És akkor a gengszter kultuszfilmek egyik alapműve lenne. Így Joe Carnahan sántító dramaturgiája gyengíti az egész film üzenetét, és "csak" az egyes kép-vágás finomságainál marad (valami hasonlót talán az első Kill Bill filmről is el lehetne mondani, de ahhoz hozzájárul a Tarantino eredetibb koncepciója). (2007.01.17)

Watching the film, I felt like I was on a roller coaster - my sympathies alternated between 4 and 2 stars, meaning that this film is simply inconsistent. It was probably supposed to be a film in the style of Guy Ritchie's crazy gangster films, but it differs from his famous hits in that it doesn't stick to the style - simply put, the script fluctuates between crazy style with insanely cool characters and serious situations. The script is just such a strange mishmash, where a guy shot by automatic weapons, who looks like he'll be lying in the hospital for a few months, stands in front of a hotel with a bandaged hand in a few hours and is clearly inclined to have a stylish chat with his killer. That is exactly what doesn't sit well with me in films of this kind and why I eventually decided on a lower rating. However, the direction is stylishly energetic and quite skillful, which helps overshadow the problematic script. Overall impression: 45%. (2010.10.29)

When someone tries to be above it all, inventive and original, it doesn't always work out. Once a more capable screenwriter writes Carnahan a good, action-packed script with lifelike characters, there will be a great chance of creating a fantastic action film (greetings to The A-Team). However, as long as the director writes self-indulgent, intertwined stories with disgustingly many characters, the audience will only receive the divine action without a more meaningful plot. In the script, there are several major logical gaps that, even though I am usually tolerant of action crime movies, scream very loudly. The main one is undoubtedly the fact that although Buddy seemingly has reliable protection around him, he often remains alone and vulnerable. I also disliked the deliberately exaggerated endurance of the bullet-ridden heroes who keep breathing even with a magazine in their body. Despite countless characters in the movie, there is only one with whom you can identify better - the tough and determined agent portrayed by the fantastic and charismatic Ryan Reynolds. The rest are heartless bureaucrats, tough black women, or even perverted neo-Nazis. Reynolds is responsible for the best non-action moment of the film - a stylish and badass ending, thanks to which the taste of the film remains much better than it deserves. (2007.04.27)

Director Carnahan beat screenwriter Carnahan in a short sprint by several lengths. The first two acts are an audiovisual ride with some fresh ideas, in the style of Ritchie's best flicks, but towards the end, the engine of the sports car stutters in such a way that it parks in a garage with a sign saying "Reynolds' Fateful Drama" and slowly dies there. If they had let the sports car go past the finish line and not stepped on the brake, it would have been worth four medals. (2008.01.09)

After a bit of time goes by that is diligently devoted to thinking, and after a second viewing, I finally came to like this film that is Carnahan's baby. It is true that the trailers promised something completely different, but the result is an entertaining stylistic film that is definitely currently above average (let's blame it on clever marketing this time). Mainly thanks to the perfect direction and excellent casting (Ryan Reynolds is great!), this rather disparate whole holds together quite well. Unfortunately, as is still apparent, Carnahan isn’t a great screenwriter (Buddy's existential drama), but he's more than adept as a craftsman (changing one cool camera unit after another, the actual shooting races). He definitely can’t be compared to Guy Ritchie because they are both playing on completely different fields. This film is a much crazier and at times twisted spectacle, which is certainly not boring, but it is true that when a director makes a pure action spectacle, those far beyond the borders of Hollywood will bow down to him. (2007.03.31)