Sky kapitány és a holnap világa

Igen, a film sztorija gyenge. De ezért szemrehányást tenni olyan lenne, mintha a Schindler listája című filmnek hiányolnák a dinoszauruszokat. Mert a Sky kapitány és a holnap világa film a rajongók örömére készült, és a legfőbb értéke az, ami megvan a Star Wars filmszériában, és ami a jelenlegi hollywoodi produkció 90%-ából hiányzik. A Sky kapitány és a holnap világa film egy csodás tisztelgés a régi filmek előtt, kellemes humorral, remek hősies filmzenével és szimpatikus hősökkel (Jude Law és Angelina Jolie zabálnivaló, egyedül Gwyneth Paltrow tűnt kicsit bizonytalannak, hogy mit is kellene játszania). A díszletek nem szorulnak kommentárra, a tibeti "üdülő" völgy a Rivendellre emlékeztetett A Gyűrűk Ura - A Gyűrű Szövetsége című filmből. Időnként szinte meghatódtam. A tökéletességhez már csak egy speciálisan módosított fekete-fehér kivitel hiányzik. Ui. A film egy olyan korszak előszele, amelyben a valódi színészeket digitális színészek váltják fel a filmekben. (2005.01.11)

Although The World of Tomorrow is playful and its patina of old movies is charming, the flimsy and predictable story cannot be hidden by the most compelling visuals. There were moments when I was actually bored. Even so, Conran's film reminded me a bit of some of Karel Zeman's films with its visual innovation and retro mood. I'm definitely curious about Conran's next project. (2005.01.19)

A deliberate essence of stupidity. I can’t understand why anyone would want to make something like this and why anyone would want to watch it. As an attempt at naive retro sci-fi it’s successful, as a film for the 21st century viewer is an epic fail. Listening to most of the dialogues felt like slow, painful death; if the film was half an hour longer, I wouldn’t have been able to write this review. (2010.08.04)

Why pretend I'm doing something new when everyone around me is pretending the same thing? Why not admit that everything important has already been done and film a fun and naïve retro with futuristic tricks, endearingly terrible acting performances, the atmosphere of old comic books and the plot of the most hilarious trash? Conran managed to do it really well... His Sky Captain and the World of Tomorrow is a well-balanced mix of retro (everything listed above) and modern technical procedures with a special atmosphere of colorized movies, old photos and comics. If there was even more humor and perspective, Sky Captain and the World of Tomorrow would be almost flawless, closely related to the similarly conceived Indiana Jones trilogy. The way that it is, it is sometimes spoiled by an excessive insight into its own visual perfection and a lack of distance from the triviality of the story. But it still functions as a spectacle, it’s almost a schematic parody, it’s infectiously entertaining, adventurously wild and cheerfully picturesque. Conran and his team’s attempt to achieve retro works on almost all fronts (the editing, acting, directing, soundtrack, artistic stylization) and if you accept it, you will see one of the most entertaining films of this season. Even with all the naivety, it’s much more intelligent than 99% of the adventurous production made in Hollywood. By the way, isn't it symbolic that entering the new visual age of the film is happening through a designer return to the immortal years of the 1920s and 1930s? (2004.11.06)

The stylized visuals are complemented by excellent sound and a great orchestral soundtrack. However, the story lags a long way behind the quality of the technical aspects. Although it is completely obvious that this is intentionally naive as a dime novel, but perhaps they go too far. It’s nice that it was basically made by one person in his garage, but that is no excuse for all of the shortcomings. Another disappointment is Jude Law: he simply isn’t the heroic adventurer type. Conversely, the lately rather back-seated Paltrow seems to really enjoy her role as the journalist. Another plus point is the goading humor between the central duo which, luckily, works, saving a lot. (2004.11.01)

A lot of blinking, lively dialogues, and one big toy that I can't play with. Jude Law is forever a character actor for me, who has nothing in common with a smiling action hero, and the cold Angelina is pure agony this time. The only significant advantage is that something is constantly moving, breaking, or flying on the screen, but in terms of how much was said about the film during its creation and how the creators boasted about it being a historic milestone, it quickly deservedly fell into oblivion. (2007.09.11)

The plot-driven and especially the punchline have fizzled out, nevertheless it is an artistically remarkable film that references famous movies of the past and evokes the atmosphere of classic adventure film and literature. It has a touch of Verne, a touch of Trsouka, and the creators of American sci-fi from the 30s. Overall impression: 65%. (2007.12.01)

An unusual approach to a fascinating story. A wonderfully fairytale approach with elements of thriller and sci-fi. Some of the scenes reminded me at times of my all time favorite, Star Wars. It’s just a shame that in places (especially during the second half) the movie rather loses pace; otherwise I’d give it 4 stars. (2006.05.31)

Sky Captain and the World of Tomorrow is, for many reasons, a beautiful Hollywood gift to audiences, reminding them of that winged saying about the dream factory. Imaginative, fun, and clever encounters with nostalgia. It’s rewarding in terms of the actors. (2020.02.15)

Sky Captain and the World of Tomorrow is one of the few movies that doesn't need an extremely strong and elaborate storyline, because it has an excellent form. Retro New York is beautiful and the overall atmosphere is unforgettable. (2005.02.13)

No matter how I look at Sky Captain and the World of Tomorrow, it always looks perfect. The actors. The visuals. The retro atmosphere. The funny script and funny dialogues. Ubiquitous fantasy. Shearmur's music. What we have before us is a much underrated gem that combines the adventures of a gentleman named Biggles with the fun of Star Wars and the imagination worthy of Karel Zeman with a nostalgic tear in the corner of the eye. Five and never otherwise. (2010.08.25)

A generously produced fan’s homage to film adventures. It has so many quotes and visual ideas that a day later I’ve already forgotten what it is supposed to be about. I didn’t get bored, for sure, and I admired the boldness of the creators that, notwithstanding the poor quality of the special effects, send the heroes into a relentless series of huge set-pieces, but by the end I was missing a more solid director power and I could no longer bear Gwyneth Paltrow, who has forgotten how to act and whose annoying character destroys the godly Angelina in five minutes. That said, it’s likeable bullshit with a filmmaking soul. 70% (2019.01.24)