Időszámításunk kezdete után 180-ban Marcus Aurelius császár halálával az egykor oly dicső Római Birodalomban a káosz lesz az úr. Marcus őrült, hatalomvágyó és kegyetlen fia, Commodus kerül hatalomra és első dolga, hogy megszabaduljon ellenfeleitől. Apja bizalmasát, a népszerű és legyőzhetetlennek hitt hadvezért Maximus-t árulónak kiáltja ki, miután az nem hajlandó behódolni neki. Maximus-ra a halál vár és az új császár, ellensége családját is kivégezteti. A rangjától megfosztott egykori hadvezér súlyosan megsérül, de életben marad. Nincstelen földönfutóvá lesz, rabszolga-kereskedők kezére kerül, és gladiátorként kell megküzdenie nap, mint nap az életéért. Csak egyvalami tartja benne a lelket, csak egyetlen cél lebeg a szeme előtt: megnyerni minden csatát és eljutni Rómába, hogy a Colosseumban végre szemtől szembe kerüljön ismét azzal, aki tönkretette az életét... Ridley Scott átmentette a XXI. századba a történelmi eposz műfaját a 2000. év egyik legsikeresebb és mindenképpen a legmaradandóbb monumentális filmalkotásával. A Gladiátor már születése pillanatában klasszikussá vált és helyet követelt magának az olyan film remekek között, mint a Ben Hur vagy a Spartacus! (TV2)


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az összes felhasználói recenzió

angol A clear disappointment after the first viewing. As a big Scott fan, I was expecting a big return of the Master. Actually, visually it was "Scott" and the music was monumental as well, but the shallowness of the script was unpleasantly surprising and the stupid dialogues made my toes curl. Also, as someone who is somewhat interested in history, it made me laugh a lot. But I’m used to it already. I've accepted the fact that it's an ordinary popcorn movie, visually it's awesome, Joaquin Phoenix is great and so I won't go below four stars. ()


az összes felhasználói recenzió

angol I ignored Gladiator during its premiere and successfully for another 12 years, but during one of its reruns on TV, I couldn't resist and subsequently found out that my contempt for Gladiator should have persisted and my instinct did not disappoint as usual. The film simply has nothing to offer me, because it is a typical summer blockbuster with pompous production design, but it's stupid as hell. The story and dialogue are trivial and I don't hesitate to say idiotic. Of course, Connie Nielsen looks good, both the male stars are very solid actors and they keep the film afloat in parts, but other than that, I can only mention the generous set design, and then I'm out of positives. Even the often-mentioned opening battle didn't impress me much, and I maybe appreciate only the gladiators' fights in the arena. I dare to sacrilegiously declare that recently made movies Centurion and The Eagle, with the absence of movie stars, a fraction of the budget, and incomparably smaller ambitions suited me much better, although I don't consider them to be the pinnacle of cinema and I know they have numerous flaws. Overall impression: 40%. ()



az összes felhasználói recenzió

angol Russell Crowe was most deserving of the role of Maximus. I was proud for him in every scene. You could feel the desire for revenge in his every move. A true historical epic with fantastic music! I have a fond appreciation for lines like... "My name is Maximus Decimus Meridius, commander of the Armies of the North, General of the Felix Legions and loyal servant to the TRUE emperor, Marcus Aurelius. Father to a murdered son, husband to a murdered wife. And I will have my vengeance, in this life or the next." ()


az összes felhasználói recenzió

angol Ridley Scott decided to revive the tradition of epic “sword-and-sandal" movies and although the result was more of a classic fairytale, thanks to the flawless production design, gripping action scenes, wonderful visuals, booming music by Hans Zimmer, marvelous directing and charismatic actors, the end result is surprisingly good. All this, despite the rather sub-standard screenplay and almost zero historical faithfulness. ♫ OST score: 4/5 ()


az összes felhasználói recenzió

angol Ridley Scott resurrected a "historic" Hollywood feature film in all its splendor... in all its color, pomp, schematics, pathos, and shallowness. He created a work that appeals to the viewer's eye, but as soon as it resorted to thoughts, I felt like I was at a failed "Roman statehood for beginners" class (no one can convince me that Gladiator is not utter nonsense at its core). When something is "happening," Scott's film works brilliantly, but during the dialogues it slips into typical empty verbal nonsense, and if were not for the way in which the Crowe-Phoenix duo masterfully fulfilled their schemes, very little value would remain in Gladiator. Ridley Scott truly deceived me with his approach. His directing is routine, cold, and perhaps only in battle sequences we can talk about a unique approach (although a shaky handheld camera and "skipping" windows is not the master's invention). What I am missing in this film is some true spirit... people are constantly blabbering on about Rome, but unfortunately it remains a mere dream (a rendered background) for the quality of the film. That's why I prefer the ideas of William Wallace or Captain Nathan Algren. For me, their struggle has a greater charge than revenge for the death of loved ones, which has been played out a thousand times over. Ridley Scott simply played a pompous symphony based on old notes. It is the same as Hans Zimmer's music - it evokes desirable emotions, sounds powerful, heroic... That's what is expected of a big movie after all, isn't it? But I argue that what was expected of the film has already been portrayed better several times, although perhaps not as megalomaniacally. ()

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Kapcsolódó hírek

A második Gladiátor-film további erősítést kap

A második Gladiátor-film további erősítést kap


Ridley Scott (A nyolcadik utas: a Halál, Szárnyas fejvadász) idén ősszel látványos történelmi képet tálal a közönségnek a legendás francia hadvezérről, Bonaparte Napóleonról, de az igazi csemegét… (több)