Mobil

Semmiképpen sem komoly és izgalmas thriller. Inkább csak egy felejtős szórakozás, rengeteg klisével és szamárhíddal. Ráadásul néhány karakter másolja a jobb és híresebb filmekből ismert kollégákat (Macy zsaruja Duvall Prendergast karakterét az Összeomlás című filmből). Kim Basinger itt nem nagy szám, Chris Evans csak erőltetetten beültetett szépfiú a sorozatokból. Másrészt, ha nem veszed komolyan, hanem csak egy 100 perces Nokia-reklámnak tekinted, akkor jól fogsz szórakozni. Bár biztosan nem többet, mint amennyire Dean Devlin producer szórakozott, miután szerződést kötött vele. (2004.10.12)

At the beginning it was a crazy trip. In the introduction I thought that Chris Evans was making fun of me when he deliberately walked around shirtless and tried to seduce Jessica Biel with cheesy pick-up lines. She wasn’t buying it, so I felt like I was going to watch something similar to Beverly Hills 90210. Then we get to see Kim Basinger who has a problem, and at that moment the movie becomes a Nokia commercial. It was probably good at the time but today it’s pretty laughable considering where Nokia is today and what it could do in 2004 according to the movie. I had no idea about many of these functions until watching the movie but okay. Over time, the flick turns into a pretty good action movie with the best the genre has to offer. In the end I was surprisingly satisfied – which is something I didn’t really expect. (2019.03.20)

The screenwriter of Phone Booth somewhat recycled his previous idea and routineer Ellis directed it. Loads of horrendous clichés, unimpressive acting performances and an unlikeable main protagonist make this picture really boring. Unfortunately not even the typically outstanding Macy or the usually cool Statham don’t have the change to rescue the picture from drowning in waters of mediocrity. An uninteresting picture that comes up with nothing new and even what we have seen a hundred times over is delivered in a form that is even worse than the competition. (2004.11.15)

At first, I was quite scared about what Morgan, the debutant, had prepared for me in the script, because the main abduction happens before I even get a chance to settle down, and right from the beginning it presents an unbearably (and almost unwatchable) hysterical Kim Basinger and Chris Evans, who is trying to win back his ex-girlfriend. In the end, it turns out to be a mixture that alternates excellently built tension with logical lapses and adds a moderately high pile of clichés on top of it all. Fortunately, a likable character gradually emerges from the mess, so I had someone to cheer for, and thanks to Evans in particular, I have the impression of a better-than-average movie in Cellular. (2006.06.06)

Only exceptionally can you find such a textbook example of product placement in the film industry as this little film. However, I must admit that I didn't get bored at all by this excessive advertisement for NOKIA. The advantage of the film is its fast pace and reasonable duration. Although I am sensitive to a derivative screenplay and inconsistencies in the plot, in this case I did not mind these types of flaws. Basinger as the main star attracts attention about as much as my grandmother in her nightgown, but even that is not a hindrance. If you don't have high expectations, the film gives a decent chance for entertainment and represents a light genre above average. Overall impression 65%. (2007.05.17)

In some places Cellular was unexpectedly surprising, but most of the movie is more or less one big cliché. But undemanding entertainment for a Friday evening. Evans is really very cool here while Statham is in a rather untraditional negative role. Also a small role for Jessica Biel was a nice surprise. How extraordinary that these three met a year later in the drama London. (2007.05.18)

If I overlook the fact that it's a bit of an ad for Nokia, I have to say that I quite enjoyed myself for almost a hundred minutes. The big plus is that neither the director, nor the screenwriter, and often not even the actors take it too seriously. The screenplay was passable, of course, the film didn't avoid several convoluted scenes and worn-out clichés, but there was nothing unbearable. The pace was very solid and you never get bored. (2005.07.26)

But yeah, this movie has the right drive, it won't let you catch your breath, and that's exactly what it wanted to do. It lets you ride the wave of adrenaline. In the end, I wouldn't expect anything else from Ellis. He managed to make a properly claustrophobic and fast-paced film. Evans fits the role quite well, occasionally he even manages some humor, Kim Basinger is excellent for her part. Although she doesn't have much screen time, it seems like she gives it her all. William H. Macy is perfectly cast in terms of casting and he even gets some action scenes, which I also wouldn't expect from him. It's not the film of the year 2004, but as a popcorn entertainment, it's maybe better than drawn-out blockbusters. (2014.02.15)