Az 5 bajtárs

Túlságosan laza keveréke a túlságosan ismétlődő politikai nézeteknek, kalandos poétikának és Blanchard elbeszélő zenéjének, amely értelmetlenül szól még azokban a jelenetekben is, amelyekben inkább csendnek kellene lennie. Valószínűleg azért, hogy feldobja a történet hosszadalmasságát és dramaturgiai gyengeségét. Számos jelenet, különösen az első részben, borzasztóan hosszúnak tűnik, kétszer olyan hosszúnak, mint amilyennek lennie kellett volna. Linda, mint a Delroy legmarkánsabb karaktere egyáltalán nem szimpatikus, bizalmas monológokban már-már idegesítő. Ugyanakkor vitathatatlan, hogy filmnek kellemes szórakoztató jellege van. (2020.07.29)

Four African-American Vietnam veterans go back to pick up the remains of a dead comrade and about 17 million dollars worth of gold bullion. They talk about brotherhood, get into arguments, want to kill themselves. They have a complicated, trying-to-be-cool greeting. Only the last hour - from the scene with the mine onward - is worth any attention. Spike Lee must have gone crazy, just like one of the protagonists (Paul? I think it was Paul), letting the film go on for a full two and a half hours. Waves of boring, would-be artistic detours (Martin Luther King and Marvin Gaye) glorifying blackness with no added value. The dialog is packed with unimportant details… these should have been left on the cutting-room floor. The actors’ performances, however, are superb, and Delroy Lindo is the best by far. The action is good and bloody and the conflict with the “gooks" was entertaining. If it had been ninety minutes long, it would have been pretty good. I usually enjoy treasure hunt films, but this is shiiiiit. (2020.06.21)

An inconsistent matter. First, it suggests an odd combination of Apocalypse Now and The Treasure of the Sierra Madre. At the same time, it is like a history book for primary schools about Afro-American heroes Spike Lee would have written, hammered into your brain every two minutes over two and a half hours. Political commitment in this piece is all over the place, and instead of subtle allusions, Lee opted for total literalness, so in the end, even if you’re not devastated by the story itself, you might well be by this political overload you just absorbed. Fortunately, the movie is not boring despite its length, and all that adventure offers both an ample dose of—deliberate?—kitsch and a storyline full of surprises and poignant moments, one of which being the very peculiar evolution of Paul, along with the character’s interpretation by actor Delroy Lindo. (2020.06.15)