Halálos kitérő: Az örökség

Elmosolyogtató kísérlet arra, hogy a jól ismert B-kategóriás slasher-szériákat olyan tematikusabb horrorfilmek felé mozdítsa el, mint például a Fehér éjszakák című film, ráadásul a műfaji klisék látszólagosan okos dekonstrukciója révén (Ház az erdő mélyén). Sajnos a próbálkozás ugyanolyan ostoba, mint az előző filmek, és a bevallott ostobaság nélkül már nem annyira guilty-pleasure szórakoztató. Csak a kíváncsiság miatt nézhető, hogy vajon milyen váratlan csavarokat húznak még elő, hogy innovatív legyen, annak ellenére, hogy mechanikusan mindenféle dolgokat vesz át mindenhonnan (a főszereplő végső stilizálása íjásszá Az éhezők viadala című filmből csak megerősíti a nézői célközönséget). Csak a zárszó nem megy ki a fejemből. Ez zseniális volt, mint Jordan Peele Tűnj el! című filmje idején. Most először fordult elő, hogy Bill Sage a filmben végig nem Ray Winstone olcsó B-kategóriás filmes változatának tűnik. (2021.02.21)

It’s a paradox that this very well executed film with a fairly good and original premise (for the standards of the “group of people confronted by forest rednecks” subgenre) feels the need to carry the name of the Wrong Turn franchise, which turned into unwatchable shite after the first two entries, when it basically doesn’t have anything in common with it. In fact, I don’t think it’s a benefit, quite the opposite, because for those few people still interested in that dumb franchise, this will be a boring and pointless attempt at some sort of socio-political insight. In contrast, for me it was a bit of a pleasant surprise, and about a month ago, the news of a reboot had caused tremors of resistance in me. There are a lot of things that need fine-tuning, for instance, if they had a more likeable group of characters and explained more about The Foundation, it could be very good. Like this, it’s just good. (2021.02.13)

The relief! I put it on because I was curious to see how they could reboot a six-episode series of average redneck carnage, and to my pleasure, the creators took a major step aside, unafraid of disappointing fans. The intro hints at classic hixploitation in the spirit of the series and the running in the woods among traps and the shadows of the pursuers is playful, yet surprisingly dynamic and even tense at times. The break in the middle will certainly not please many people, but I thought it was great, even though it’s also a rip-off from many places and it didn’t feel very well thought-out overall. It manages to make you care about the characters, and the relatively sudden and short bursts of violence work better than senseless and excessive gore, and, when you think things will turn out exactly as you predicted in the middle, you get the bizarre and in its own way very funny nail that holds this entire satire about an uncommon American neighbourhood – it’s a pity that they don’t sell it at all as satire and the atmosphere is uneven because of that. In any case, a fine surprise with several great horror ideas (blind in the dark) and nice actors. 70% (2021.02.13)

I've seen a few wrong turns in my life, so I thought I knew what I was in for, but I didn't. The filmmakers went about it a little differently, making a thriller rather than a horror film, and it was quite a pleasant surprise. Instead of a well-worn, predictable plot, I got to see something a little different. I was introduced to a community compared to which the Amish are pioneers of progress. I didn’t have to feel sorry for the perfectly politically correct bunch in the car, and I quite enjoyed it. (2021.04.11)

The only thing the reboot of Wrong Turn has in common with the original is the name and maybe the traps in the forest, so diehard fans of the series will be disappointed. From the trailer, it was quite obvious that there won't be mutants this time (which is not a big deal, since the best ones were in The Hills Have Eyes anyway) and this new direction possibly brought a fresh breath. Actually, the only thing that slightly bothered me is that most of the murders are off-screen, but fortunately they usually show at least "what's left". The group of teenagers is okay, the blonde is a likeable babe, who at the end comes off as Lara Croft, and I definitely have to praise the decent craftsmanship, the nature, the nice masks of animal skulls, and the very well built-up tension (the fall from the slope in front of the rolling log was great), and that one atmospheric and creepy scene that nobody expected (the corridor of the blind is wonderfully unpleasant). The final 20 minutes are quite intense, culminating in a sharp and interesting ending. It could have been even more brutal and dirtier, but it is still more brutal than most of the horror movies that have come out recently. I am satisfied, I have a weakness for forest massacres and there hasn't been a proper one for a long time and probably won't be. Those 49% are laughable and irrelevant for now. Story***, Action****, Humor>No, Violence****, Enjoyment****, Music***, Visuals****, Atmosphere****, Tension****. 7.5/10. (2021.02.13)