The Shallows
The Shallows
Rendező:
Jaume Collet-SerraForgatókönyvíró:
Anthony JaswinskiOperatőr:
Flavio Martínez LabianoZeneszerző:
Marco BeltramiStreaming (2)
Tartalmak(1)
Csak a végtelen óceán és egy szörfdeszka... a film hőse (Blake Lively) imád magányosan siklani a hullámokon. Ám ezúttal hamar rá kell jönnie, hogy nincs teljesen egyedül: egy gyilkos cápa eredt a nyomába. Magára marad egy bóján. A part alig húszméternyire van, mégis elérhetetlen: a cápa ott köröz a bója körül, és támadni akar. Ha életben akar maradni, a lánynak le kell győznie a félelmét... és használnia kell az eszét. (InterCom)
(több)Videók (6)
Recenziók (12)
Ez nem egy komoly horror vagy thriller, ami megmarad az emberben. Időnként izgalmas, formailag látványos szórakozás a popcorn közönségnek, tele hülyeséggel. Különösen a végén. Csak Blake Lively bája és színészi erőfeszítései tartják az átlag felett. Ezeken a vizeken inkább a minimalistább és hihetőbb idegtépő típusú filmeket részesítem előnyben, mint A zátony.
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An impactful, audiovisual thriller work that is nearly perfectly crafted in terms of the gradation of all key moments. Blake Lively effortlessly navigates through all positions, and when she emerges onto the board/whale/rock just a few centimeters away from the jaws of a shark, I thought I'd be left with the cinema armrests in my hands. Therefore, it is a pity that in the end, it doesn't deviate from going predictably over the top and you have to say goodbye to a great show as it instead turns laughable. Those genre boundaries that Jaume Collet-Serra skillfully tried to sweep away for a while are needlessly beaten up by the shallows at the very end.
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Water Gravity light. A B-movie that I enjoyed and which enjoyed me. They don’t have to look into my head and pull phobias out of there. But the jellyfish scene will haunt me until just before I die. Thanks to Blake Lively, a sweet combination of an erection and a contracted ass. Jaume could have done without a couple of the over the top of the top scenes, but otherwise it’s the ultimate summer eye candy. Everything one needs from crisp exploitation.
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The Hungry vs. Food series has another film with a dismal and unrealistic ending (that spoils the atmosphere for effect alone), but that doesn’t mean that it doesn’t work as a whole. Also the whale was a good idea. The tastefully tanned Blake Lively was the main asset of The Shallows from the start and in this respect the heroine doesn’t disappoint. In terms of story, it’s a variation on Gravity and the inner dramas pointlessly protract the plot. Seagull is probably the only really nice character in the movie. The horror nuances are masterly, including the shocks. Collet-Serra knows how to make an eye-catching movie, but I prefer those with an R-rating and with Neeson in the role of daddy.
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Blake is kissable and the seagull is straight-up Oscar-worthy, but the whole story, despite its sympathetic length, is kind of dull and features no real surprises. A couple of times I admiringly pondered the production background, where the camera games probably end and the casual special effects begin, but Serra accepts only very sloppy screenwriting assignments into his crafted workshop. [Finale = humorous self-parodic failure. I was quite sad about all the previous efforts.]
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