A világítótorony

Ez stréber formáról, nagyszerű színészekről és a rendező kísérletező bátorságáról szól, hogy valami eddig soha nem látott dolgot csináljon. Fantasztikusan magával ragadó, szinte hátborzongató hangsáv, a világítótorony mély zúgásával. Apró részletekig kidolgozott fekete-fehér 4:3 kompozíció, a múlt század eleji horrorfilmek módjára. Egy távoli, ködös, szeles és belül nyirkos büdös hely nyomasztó légköre. És a két férfi természete közötti konfliktus, akik számára ezek a körülmények egyáltalán nem kedvezőek. A részeges fecsegés nem annyira elgondolkodtató, de jól jellemzi a szereplőket és a korabeli helyet. (2020.01.08)

Just like in his The Witch, the director relishes creating the right atmosphere, but his film is very inapproachable; he makes every effort to spoil your viewing experience. The actors in the leading roles (Dafoe and Pattison) deliver superb performances, moreover in black and white, in a spooky, morbid environment with a hidden evil like from Lovecraft. I like all of this, but the inapproachability of the film makes it hard to give it better than average rating. It is, however, definitely a unique experience. (2020.01.30)

In its reconstruction of 19th-century life and visual style of old films, The Lighthouse is an unprecedented curiosity made with great care and, in one view, makes perhaps as much sense (and is thus as carelessly blind) as a drunken sailor who has read Moby Dick and a few paragraphs of Greek mythology (particularly the story of Prometheus) and psychoanalysis (you reach the id only after pacification of the controlling superego). The plot stands on water, the relationship between the two men on alcohol. Instead of drama or any character development, there is only the building of an atmosphere which, in the end, leads to nowhere and serves no purpose; it is not legitimised by any unifying theme to which the film would adhere. It simply just is. The vagueness, eccentricity and signs of cognisance of the film’s pulpiness give the impression of being an intentional act on the part of the screenwriter, an attempt to sell a simple, self-regarding horror story to dramaturgs of A-list festivals. When everyone finds something in a film, that does not necessarily mean that there is actually something to be found in it. Due to the degree to which it depends on its two actors and sound effects, I would rather see The Lighthouse in the form of an absurdist stage play in which the riveting acting performances could overcome the terrible repetitiveness, predictableness and utter lack of flow. 55% (2020.01.03)

The Lighthouse is a film where atmosphere is everything and the story is nothing. After the interesting and successful The Witch, Eggers had a free hand and he took advantage of it in his own way. He mocks the popcorn audience with their ideas of horror full of jumpscares and ghosts. Eggers is perhaps the only director who not only heard of Lovecraft and read something from him, but also thought about his work and was inspired by his theoretical foundations. Sartre already knew that hell is not devils, but other people. Put two ultimate sociopaths on a deserted island, give one an illusion of power, and expose the other to humiliation and the result will arrive soon enough. There is nothing, only loneliness, and boredom spiced up by memories of the sound of crushing human bones and failed relationships. Sexual frustration, bitterness, and rising levels of hatred supported by the distillate in the blood. The raging water element invigorates the imagination, just like a superstitious sailor's tales. Eggers impressively works with mythological references, with image and sound, and cleverly avoids literalness. Both actors reward him with excellent acting, the kind you don't see often. All in all, The Lighthouse is one of the most impressive horror films I have had the opportunity to see. Overall impression: 95%. (2022.02.15)

After The Witch, Robert Eggers directs another period and psychologically challenging piece, this time in black and white and square format, making it feel like it was made in 1910. that initially repulsed me, but eventually I found myself immersed in the plot and enjoying the nightmare driven to madness. Both Willem Dafoe and Robert Pattinson give great performances, the dialogue is impressive, the atmosphere thickens and there are a few disturbing scenes (a seagull being bludgeoned to death, a live burial, masturbation over a mermaid and the final scene is very raw). Here I can understand 10 stars and 0, so it depends on you, but I was not bored. 7/10. (2020.01.08)