Star Wars: A Sith-ek bosszúja

Peter Jackson kijelentette, hogy A Gyűrűk Ura első két film azért készült, hogy a harmadik is létezzen. A Star Wars filmszériára ez inkább igaz. Meglepő, hogy a Star Wars: A Sith-ek bosszúja című harmadik film fokozatosan változtatja meg arcát - Csillagok háborúja - Baljós árnyak első film és Csillagok háborúja - A klónok támadása második film laza szórakoztató stílusában indul, majd elkezd átváltani az eredeti trilógia stílusára, és úgy ér véget, hogy az ember erős késztetést érez arra, hogy megnézze a Star Wars IV. - Egy új remény negyedik filmet is. Ez az átmenet bebizonyítja, hogy az előző két rész miért volt dramaturgiailag olyan gyenge, és megerősíti, hogy KI a saga fő "hőse", és MI a legfontosabb eleme egy gazdag díszletű fantasy filmnek. Jackson esetén Szauron, Lucas esetén pedig Darth Vader. Filmművészetileg a harmadik rész csak az utolsó 20 percben jobb, mint az előző két rész (melyek elérik a Star Wars: A Birodalom visszavág ötödik rész drámai szintjét). A film többi része nem azért lebilincselőbb, mert ügyesebben írták vagy forgatták, hanem mert szól valamiről. Mi lenne A Gyűrűk Ura filmekkel, ha nem említenének és nem mutatnának be Szauront, mint a legnagyobb és legerősebb gonoszt? Az első Csillagok háborúja - Baljós árnyak részt és a második Csillagok háborúja - A klónok támadása részt egy kétórás előzményfilmbe kellene átszerkeszteni, és a mindannyiunk által szeretett saga történetét csak a harmadik Star Wars: A Sith-ek bosszúja résszel kellene indítani. May the Dark Side be with you, Anakin! (2005.05.21)

Lucas didn’t deliver what I was looking forward to the most. There was no major internal struggle in Anakin's mind, his transition to the dark side was too rushed, despite Lucas having the whole movie to work on it. It called for more Anakin and his mental struggle and less flashy Grievous (though the four lightsabers were cool). Some moments were weaker or outright lame (Obi-Wan chasing chasing Grievous on a lizard, the deformed face of Palpatine's with a make-up that failed fatally when compared to the Emperor's expression in the old series), some were exquisite (the whole Obi-Wan vs. Anakin duel, Obi-Wan's beautifully played emotional speech to the burning Anakin, the extermination of the Jedi), and the overall emotional impact was quite strong. But I still stand by the fact that Lucas is not a very good director and should have given the helm to someone more skilled. This episode is not without flaws, so with its cautious five stars, The Empire Strikes Back remains on top. But I still love this legend as a whole. (2005.06.15)

The dark side of the Force suits it. Even so, I don’t think even retrospectively that it makes any more sense than the previous ones; quite the opposite, in the light (excuse me, “the darkness") of this episode I find that the absolute superfluousness of the saga becomes even more obvious. The imbalance in pace is a huge mistake. The first fifteen minutes involves a monumental battle, then we get a boring hour with starched amateur dramatic dialogs and then during the last hour it turns into a serious drama with convincing (as far as the Star Wars universe is concerned) characters. Too bad that the transformation of Anakin into Vader seems unbelievable and rushed. The idea that this mentally unstable character was in fact the embodiment of living charisma that we know from the original trilogy is ridiculous. The weaker moments are saved by the stylish over-acting of Ian McDiarmid. The greatest faux pas is that, although this was supposed to be emotionally tense due to the tragic context, sadly the opposite is true. While on screen we see something technically impressive, it leaves you absolutely cold. (2005.05.20)

Episode III is a desperate fugue in which the wandering torso of the Jedi order tries to patch up what it can to end up in utter disillusionment and agony. Lucas indulges the viewer with his spectacular tricks, but almost from the beginning of the film, he amplifies an evil hunch and amplifies the dark undertone that culminates, both audibly and visually, in a scene where Anakin makes a fatal decision in the abandoned Jedi Temple to help his seducer Palpatine. Although George Lucas is a mediocre director, this scene and several others (especially the destruction of the Jedi) are among the most emotionally powerful in the six-part series. In Episode III, he manages to maintain a rhythm and pace that escalates brilliantly towards the end to the wild staccato of hopeless scenes that form the imaginary highlight of the new trilogy. It is unusually naturalistic and completely resonates with the new atmosphere that Star Wars has received both through new episodes and, above all, with a series of computer games. The impression is monstrous, urgent, immediate. There's not much to add – Revenge of the Sith is proof that all the mistakes of the previous two films were worth it, as they built the bridge to the truly grand finale. Complaints – the action scenes are too stretched and suffer from the classic visual gluttony of the digital age, of which Lucas is the guiding spirit. Too many colors and effects lead to clutter. John Williams' music is kind of stiffened, but it works at key moments. Yes, and then the few reminisces of incredibly starchy love dialogues. But very few. Too few to ruin an episode that really doesn't have to be ashamed to be in the company of A New Hope and The Empire Strikes Back. (2005.05.19)

The third episode, which is also the sixth one to be shot, makes its epic qualities really more than obvious. I feel that George Lucas told everyone that the first trilogy couldn’t be done in the 1970s, but he also did it on purpose so that the epicness of it could be built on the existing fame. Which actually, in the end, happened. I remember, that when I, back then, started with the newer trilogy, I was very uncertain after the second episode what would come in the third one. And the third one also started pretty slow. But the second half of the movie is, thankfully, a never-ending wipe-out that not only brings you the transformation of Anakin into Darth Vader, but there is also a solid amount of scenes some fans have been waiting for for 2 decades and which aren’t going to be forgotten easily. And that’s despite the fact that everybody even then knew very well what was going to happen and they still couldn’t help but feel the suspense that the third episode hides. For me a complete climax during which you need to wait out the first half-hour of political babbling so that you can enjoy the acting reincarnation of Hayden Christensen into one of the most powerful Sith Lord of that time. (2015.11.06)