Star Wars: A klónok támadása

Míg a Star Wars: Baljós árnyak epizódból "csak" az eredeti trilógia szíve hiányzott, a Star Wars: A klónok támadása film csak egy dramaturgiailag sántító képregényes szórakozás. De ugyanakkor annyi nagyszerű karakterrel, bombasztikus akcióval, romantikával és a Star Wars-saga fejlődése szempontjából fontos fordulatokkal van tele, hogy egy pillanatig sem lehet unatkozni. A vizuális effektek néhol silányak, de a legjobb helyeken mesésen szépek. Ugyan nem az a jó öreg szívmelengető Star Wars, de a mai "eye candy" laza szórakoztatás kontextusában szuper. (2002.05.20)

The love scene with the couple by the waterfalls looks like a Nivea commercial. During the battle in the arena, the Jedi look so bored with their lightsabers that I keep waiting for them to roll a joint. The final battle is a massive mess. Add to that directorial shortcomings such as the final chase, in which Padmé falls out of a flying machine, drops from a great height to the ground and, as if in a last ditch effort, shakes her legs like a beetle, gets back on her feet like nothing happened and starts giving orders. There is no point in going on about other lapses, there are plenty of them. Lucas wanted to pay homage to everyone: Beverly Hills 90210, Gladiator, Chaplin's Modern Times, Blade Runner – it's all here. Unfortunately. But this is still Star Wars, and as the episodes roll in, this new coat of the magic that I love so much from the original trilogy takes on a new look. (2003.04.21)

Before the film, I seriously considered "withdrawing from the Star Wars race," but I took my chances. And look, it paid off! The children’s nonsense has disappeared, the power has returned, fate has returned, darkness has returned. I particularly liked Hayden Christensen, inside of whom two irreconcilable opposites, the dark and light side of power, are at war. His balancing act is often escalated by John Williams' great music. The atmosphere is more reminiscent of the Jedi Knight computer series (it's darker, more fatal, less fairytale compared to the original films), which is not at all a bad thing. Ewan McGregor is also good, who, along with a restless and emotionally charged "Padavan", makes the excellent second film. The love plot is somewhat forced and overly stylized, but luckily, it quickly drops off to give way to the action. Yes, the second film moves from the fairytale of the first films to a more serious tone, which may not be endearing to those who love the originals, but for us younger people who have already experienced the birth of computer processing of SW (starting with Dark Forces), this world is close to us after all. Still, I think Attack of the Clones is the rightful successor to Episodes IV-VI... (2004.01.27)

If you were expecting some significant darkening after the infantilism and overwroughtness of Episode I, well... You can wait on. That said, it's definitely better than Episode I, but the question is whether better is enough when it's still an overstuffed popcorn nonentity with the most annoying CGI character in history. (2005.03.12)

I like the first trilogy (the older one) better. It is more real and realistic. The first episode still holds on to that, but in the second one, George Lucas became infatuated with CGI and started stuffing it everywhere (practically every scene has some). He could have at least refrained from this with Master Yoda. Well, what can you do, on the other hand, it was something new and unfamiliar at the time and he simply went all out. I actually feel that the second episode kind of lost the spirit of the whole series. Even though Hayed Christensen is a good Anakin in his best years, but also a terrible scumbag. The only thing you can lean on is the fact that with the second episode, the epic climax of the transformation of Anakin into Darth Vader is born, which is, in and of itself, flawless. But that’s all. Obi-Wan himself as the only philanthropist of the movie isn’t going to salvage it. (2015.11.04)