A kör

A Kör cselekmény szempontjából egy olyan ponton ér véget, ahol egy rendes thriller épp csak beindult volna. És két órán keresztül építkezik olyan dolgokra, amelyek egy rendes thrillerben csak előzmények vagy kiegészítő motívumok lennének. A magánélet elvesztésére és a mai összekapcsolt világ korporativizmusára való rámutatását dicsérem, de a velük való foglalkozás átlátszó és naiv. Emmára legalább jó ránézni. Az ő udvariassága megmenti a filmet, karaktert ad neki. (2017.05.11)

I guess it's the four months of retakes and frantic reshoots after disastrous test screenings, but if it weren't for the occasionally inventive eye of cinematographer Libatique, this would be an utterly unbelievable failure of almost every factor involved in the making of the film. Taking the characters' crazy behavior, hiccupping motivations, or Emma Watson's epic lack of charisma (again) are just the tip of the pile of twisted corpses. The concentration of all of the story's kinks into three corporate lectures, where the protagonists say things and the hyperactive seated crowd reacts to them depending on what stage the film is in at the time, is a major bummer. It's just that since the film doesn't provide the viewer with any more information than anyone else in it has, we actually find ourselves in a situation where all the elements of the film are acting in ways that are meant to scare and outrage us, and yet they see the same things we do. And a movie where everyone knows everything we know, and we're supposed to be terrified of what's going on in it while its actors don't get it, creates nothing but the feeling that we're watching a total bunch of manipulated idiots, and there's no reason to want any other outcome than an asteroid crash the size of Texas that ends this whole fictional world and all the morons in it. (2017.08.08)

Interesting in places and makes you think about halfway through (the election), but in the end it is still a predictable routine with a sniffing finale, in which you will learn everything in a few dozen minutes. I would expect something bolder than such a simple critique of all those internets. Tom Hanks was great, Emma Watson less so... And John Boyega's character? Deus ex machina, nothing else. (2019.02.03)

I was looking forward to a demonic Tom Hanks but it didn’t happen! The plot about installing Big Brother in every household wasn’t bad, but the film ends at the very moment when it could at last have started to operate in the nicely presented world. Emma Watson is pleasantly down to earth, but that’s more or less it. P.S. I liked the clean design of all of the apps shown. (2020.04.18)

That feeling you get when you are offered a position of a hotline operator and you are completely ecstatic. But I had no idea what the Circle company was about. Otherwise, I was rather disappointed. The whole idea of the movie seems to me naive rather than interesting. It goes to the absolute extreme where people are the perfect sheep and social networks go through a perfect recession. On top of that, Emma Watson’s acting is so believable that no matter what she did I would be shocked. And that’s actually what happened. (2018.02.18)