The Company of Wolves

Elbűvölő fantazmagória, amely egyszerre gyönyörködtet Neil Jordan mesterien érzéki rendezésével és sulykol a történet érintetlen ártatlanságával, ellentmondásosan belegabalyodva három egymásba fonódó történetszál bosszantó kuszaságába. Csodálatos és fájdalmas élmény egyben, és minden bizonnyal olyan film, amilyet nem lehet gyakran látni. Gyönyörű díszletek, Terence Stamp szimpatikus kámeaszerepe. (2009.02.12)

An artistically captivating excess that initially captivates the surprised viewer, but unfortunately, it eventually starts to give an overwrought impression. Even the formal storytelling approach in depicting the story of the wicked wolves, who don't really hunger but crave something else, isn't the best choice they could have made. The dreamlike scenes of a young girl, mixed with more and more stories that inevitably start to collide, push the viewer's confusion to the limit. Moreover, the non-restrained pace of the storytelling, where dialogues that are supposed to advance the plot are abruptly cut off to continue with the narration through scenery, and which not even Terry Gilliam's films would despise, somewhat schizophrenically confuses not only the viewer but also itself. The confused narrative playfulness, which calls for deeper exploration, evokes somewhat conflicting impressions in those who are not inclined to ponder deeply. Personally, it made me stand on my head. (2005.11.25)

An artistically highly stylized studio spectacle, drawing from multiple sources, mainly from the well-known story of Little Red Riding Hood, from folk myths influenced by the perspective of the church, from 19th-century romanticism, and ultimately also from modern horrors of the present. The result is a horror fairytale for adults, similar to movies such as Sleepy Hollow or other fairytale films. The most valuable aspect is precisely the visual concept, as this is exactly how I imagined as a boy a spooky forest full of giant mushrooms, forest giants with massive twisted roots, with plenty of dark corners full of cobwebs and glowing eyes. The director mixes bloody red with the white color of milk, plays with slow-motion shots of shattering glass, and with various details of toys or living creatures, which together create a mysterious atmosphere full of increasing tension and, not least, also eroticism. Just as the erotic motif is used in old vampire films, here the werewolf motif is used in terms of primal sensuality, as there is a piece of a predator hidden within every man and woman. Overall impression: 85%. (2009.01.21)

The official blurb of the distributor says this is a captivating film, but few films have captivated me less. If I didn't know that Neil Jordan is an acclaimed filmmaker and that a lot of viewers of The Company of Wolves find things I wasn't even looking for, I'd call it a derogatory phrase "crazy fantasy". (2012.01.31)

A dreamy tale of a 13-year-old girl in a fairytale world with werewolves with a slightly horror atmosphere that will keep the perceptive viewer spellbound. Some may not like the slow pace, but there is one thing that cannot be denied, there are not many visually refined and original films in the world. In my opinion, one of the most interesting films of the 1980s, which made a household name out of Neil Jordan. (2002.05.25)