A törvény nevében

(sorozat)
  • Egyesült Államok True Detective
Előzetes 3
Krimi / Dráma / Misztikus / Thriller
Egyesült Államok, (2014–2025), 31 h 7 perc (Percek: 54–86 perc)

Szereplők:

Matthew McConaughey, Woody Harrelson, Michelle Monaghan, Colin Farrell, Rachel McAdams, Taylor Kitsch, Kelly Reilly, Vince Vaughn, Michael Potts (több)
(további alkotók)

Streaming (1)

Évad(5) / Epizódok(31)

Tartalmak(1)

Az HBO mozicsatorna saját gyártású krimisorozata két louisianai nyomozóról szól. Martin Hart és Rust Cohle detektív feleleveníti a leghíresebb ügyüket, egy prostituált brutális meggyilkolását. Az eset még 1995-ben történt, és egy sorozatgyilkos végzett vele. Ahogy visszaemlékeznek az esetre, feltárul kettejük kapcsolata is, gyakran feszült viszonyuk, miközben megszállottan vadásznak a rituális gyilkosra. A sorozatot Nic Pizzolato jegyzi, a főszerepben pedig két hollywoodi nagyágyú, Woody Harrelson és Matthew McConaughey látható. (HBO Europe)

(több)

Felhasználói recenzió DaViD´82 ehhez a sorozathoz (1)

A törvény nevében (2014) 

angol The Louisiana season: Or how existential crime series à la Dürrenmatt dealt with a Scandi overlap thriller à la Larsson in a Deep Southern (and thanks to Rusty, nihilistic, and thanks to Marty hypocritical) way, with the essence of Southern noire. Which resulted in a (pan)genre movie with inimitable genius loci which is extremely existential, very symbolic, not literally reading the unspoken between the lines, very dismal, very subliminally disturbing, very mosaic-like in terms of narrative and primarily very (but really very) good. The Arkansas season: After the second, conceptually boldly different (however not completely successful) season, the third “yellow-bellied" season returns to what worked first time. And it works again. Again we have an oppressive and disturbing atmosphere-oozing masterpiece of cinema where the genre plot takes the back seat and serves purely as a catalyst for in depth character study of ambiguous, unbalanced animate characters across time. For its casting, performances, camerawork, production design, easy to follow despite three timelines... All of this is worthy of one of the current flagships of quality TV. The bigtime problem storyline is the one connected with the present which, thanks to paper rustling games with a problematic memory, serves as a carrot on a stick leading us toward gradual and final (non)revelation. And to make it worse, this becomes the central storyline of the last episodes. It doesn’t help that the creators are constantly would-be mysteriously hinting “just wait, you’ll see". While, to the attentive viewer, it becomes immediately clear where things are headed. In a purely crime genre where the case and (not)solving it play first fiddle, this would probably work on a scale of a few episodes. But not as the connecting thread of an eight hour movie “about characters and relationships", which season three tries to be. P.S.: Even HBO itself jumped on the bandwagon with the creators by beating about the bush with the description “frightful case of child murders". But this is like saying that the Red Sox won, but when you look at the results you find out that not only did the Red Sox not play, but the game ended in a tie. | S1: 5/5 | S3: 3/5 | ()

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