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In 2005, documentary filmmaker Adam Oľha’s father decided to leave his wife and six children in order to start a new life. As the oldest of the siblings and the only remaining man in the family, Adam explores his father’s old photographs, compares them with the present, and tries to discover what led to such a radical decision. He traces his parents’ relationship from its beginnings, reveals problems in communication between husband and wife at a particular time, and observes how they are reflected in the lives of his sisters. (Ji.hlava International Documentary Film Festival)

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Előzetes 1

Recenziók (3)

POMO 

az összes felhasználói recenzió

magyar Egy fiú személyes, mélyen visszatekintő, de főleg őszinte beszámolója a családjáról és annak titkairól. Szépen, helyenként ötletesen kivitelezve (zene és vágás), szellemes, de mégis kicsit hosszú, mert a legfontosabb kérdésekre nem ad választ (kevés a párbeszéd a családot elhagyó apával, ami talán nem is annyira a rendező hibája, mint inkább az apa kommunikációra és kritikus önreflexióra való képtelensége és nem hajlandósága). ()

Othello 

az összes felhasználói recenzió

angol A monstrosity of excruciatingly drab persons still plagued with the classic sleepy film school cafe utterances in the vein of "I don't know... hard to say... I think I've finally found myself... it's hard to explain". I would have appreciated at least one exploding helicopter, anything but this monstrous ode to mundanity that spends three and three-quarter hours solving the same problem that 70% of the population has ever solved. It was incredibly reminiscent of long train journeys, where a hapless lonely person sits down in a compartment and the whole time he's droning on about how everything used to be better and now it's kind of fucked up... oh yeah now I see it was 77 minutes long. Unbelievable. ()

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Marigold Boo!

az összes felhasználói recenzió

angol A boring, uninspired and sad boy makes a documentary about banal, boring and doleful people who are interesting only when they get lice; otherwise they spew out vulgarities, of which I was ashamed. Impotence hidden behind the lyricism of the family album, a show of uselessness, whose intimate dimension / informative value escapes me. I'm probably no better or more interesting than the actors, but it never occurred to me to pick up a camera and push it onto others as a testimony without a testimony... probably because I'm not from an arty enough family to be convinced of my own uniqueness. Sorry, this family etude should not succeed even as a year's work. ()

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