A csodálatos pókember 2

Hogyan értékeljünk egy olyan filmet, ami vizuálisan szép, technikailag igényes, Zimmer által tisztességesen megzenésített, de tartalmilag annyira h-i-h-e-t-e-t-l-e-n-ü-l unalmas? Hiszen még a gyermekrajzfilmek is fantáziadúsabb és frissebb forgatókönyvekkel rendelkeznek, és a szülői kíséretnek is kezet nyújtanak. Tekintettel arra, hogy A csodálatos Pókember 2 hányadik képregényes kasszasiker már a sorban, a tartalmi unalom miatt már nem lehet elfogadni. A film felét egy romantikus történetszál tölti ki, amelynek egyhangúsága és kliséssége mellett megáll az ész, a másik felét pedig olyan rosszfiúkkal történő alkudozás tölti ki, amely Raimi trilógiájának második részében is már unalmasan és érdektelenül hangzott volna. Sehol semmi elmozdulás előre, semmi kacsintás a néző felé, semmi. Semmi lé, semmi kreativitás. 20-szor átforralt víz. A következő epizódra már senki sem fog rábeszélni, végeztem a Pókemberrel. (2014.04.24)

So this looks like the surprise of the year so far. I was quite worried, especially after seeing the dub-step trailers, but it’s good. In terms of story, maybe a bit too long, doing it harm, but still better than season one. Full of snappy lines and perfect, really elaborate action crowned by an iconic moment that once shook the foundations of the whole comic world. The repulsive Fox as Electro is watchable thanks to his skills, but anybody else would have been better in that role, anybody. Giamatti doesn’t make much of an appearance, but DeHaan makes the very most of Harry, Goblin is surplus to requirements and could have easily waited for the next episode. But anyway. After watching the trailers I was expecting a catastrophe, but in the end it was very strong number 4. I’m still happier with the overall mood than with Raimi directing. I’m looking forward the number three, it’s all started off very well. “What are you doing? No, I do the laundry." “Last time you did it, you turned everything blue and red." “Because I washing the American flag." (2014.04.30)

Emotions overcome reason, anger overshadows some more humane feelings, and somewhere deep within, there's that persistent desire for a deeper understanding of oneself and one's own origin. I wrote that in the previous installment, and I'll write it again now – and perhaps for the last time. Sam Raimi's version was great, but it is Marc Webb's personal approach and scriptwriting greatness that makes The Amazing Spider-Man an unforgettable series. Even after this Electric Rhapsody becomes just another interchangeable summer action film for everyone else, I will remember much more. I will remember Emma Stone, who dialed down her sassy approach and ultimately became the true and genuine Gwen Stacy. I will remember the nervously escalating storyline of Harry, which, even in a smaller space, causes a chilling sensation. And above all, I will remember a more mature Andrew Garfield, who effortlessly handles both the jumping red and blue quipster and the torn-up mess seeking help from his loved ones. In combination with the first film, it is a perfectly intoxicating experience, thwarted only by the greed of Sony bosses on the path to a unique trilogy. It's a tremendous shame, making all the preparation for further adventures utterly futile. Considering the power of the story about the rise of a young loner to becoming a hero, it is so frustrating that my frustrated arguments became irrelevant only a month later when Spider-Man returned to Marvel instead of another reboot. How he fared among the established Avengers, however, is a different story altogether. (2014.07.05)

Already with the first instalment I was telling to myself that Amazing Spiderman is a terribly unnecessary affair. On the other hand, this Spiderman is much more comic book-like, which makes it more interesting. It is true that although I went to see both of these movies with reluctance, at the end I was completely satisfied in both of these cases. The only shortcoming of the second instalment is the fact that there are more déjà vu moments reminding you of the first movie, especially in all scenes with young Osborn. Anyhow, the fact that the creators placed their bets completely on the cast made me watch this and spend over two hours enjoying the view. Andrew Garfield is cool and Emma Stone and Felicity Jones are great. So whether you like it or not, you just can’t be angry with this restart. (2015.02.01)

The first film was about hormones, the second accepts the fact that it has to expose the character to something more fundamental (death, responsibility, loneliness) and somehow develop and problematize the character. Unfortunately, there is a syndrome of beating empty straw with the expression of a farmer whose cattle have died. The clichés and love twists are so stupid that even the nonchalant Webb loses grace and the whole thing is reminiscent of the weak moralistic moments of Raimi's trilogy. A certain inconsistency also continues between the detached adolescent escapades in the clouds and quite harsh moments (the introductory scene is something like Nolan would do) / an effort to motivate the villains more comprehensively. It's nothing that Spidey would excel at, so exactly, as was said here - the action is excellent and imaginative, whilst the link between it is a bit barren. Still nothing that offends me, but also nothing I would watch with increased attention and affection. (2014.04.24)