Rendező:
Danny BoyleOperatőr:
Anthony Dod MantleZeneszerző:
Rick SmithSzereplők:
James McAvoy, Vincent Cassel, Rosario Dawson, Tuppence Middleton, Sam Creed, Danny Sapani, Matt Cross, Simon Kunz, Spencer Wilding, Michael Shaeffer (több)Streaming (4)
Tartalmak(1)
Állítólag műtárgyat lopni könnyű. Aki elég tökös, elég ötletes, és tényleg nagyon akarja a pénzt, annak sikerülni fog. Simon (James McAvoy) egy aukciósház alkalmazottja, és bebizonyítja: ő is meg tud lovasítani egy értékes festményt. De rafinált tette elkövetése után sajnos egy másik régi mondás is beigazolódik: nincs tökéletes bűntény. A bajokat részben az okozza, hogy átmenetileg szövetkezni volt kénytelen egy műkincsrabló bandával, részben az, hogy akció közben nagyon beütötte a fejét: így aztán teljesen elfelejtette, hova rejtette el a milliókat érő képet. A banda főnöke (Vincent Cassel) mindent megpróbál, hogy emlékeztesse őt, de a kínzás sem segít. Így aztán felbérelnek egy hipnózissal foglalkozó pszichológust (Rosario Dawson), hogy vezesse be őket szövetségesük titkos gondolatai közé. Minél mélyebbre merülnek Simon tudatalattijába, annál több titokra bukkannak. Vágy, valóság és hipnotikus álom összekeveredik, a határok elmosódnak pedig a festménynek lennie kell valahol. (Mozi+)
(több)Videók (34)
Recenziók (11)
"Mi vagyunk mindannak az összessége, amit valaha mondtunk, tettünk és éreztünk. Ezeknek az érzéseknek egy egyedi fonala tekeredik ránk, amire folyamatosan emlékeztetjük magunkat. Ahhoz, hogy önmagunk legyünk, folyamatosan emlékeztetnünk kell magunkat." Kifinomult játék a nézővel, aminek nem igazán van értelme (TÚL sok van a vállán), de az első perctől az utolsóig kiszámíthatatlan, és rohadtul vicces, titokzatos és szexi. Boyle az események kaleidoszkópszerűen változatos felfogásával és a szereplők zavaros motivációival szórakoztat, és az akciódús tempóban megmutatja a Brian De Palma thrillerek iránti gyengéjét.
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Danny Boyle is simply awesome. Trance is not his best movie, but it doesn’t change the fact that he is able to film literally anything. He had fun with the camera in a drug lair, in an Indian slum, near the Sun, with millions in his suitcase or he sweated for 127 hours in the mountains and this time for a change hypnosis plays a major role, and we see an entanglement of the whole story with the aim of preparing a shocking finale. And he succeeded. The movie may be a little too dynamic and a bit complicated, but that’s simply Boyle and that’s why I like him so much. The whole movie really has guts and every five minutes there is something happening that turns the story upside down. If you can accept that, you will be satisfied.
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An overcooked start. There is a voiceover, an unreliable narrator, an attractive plot, and expensive art. After twenty minutes, only a hint of the original idea remains, which surprisingly, even by Danny Boyle's standards, fails to reach a sufficiently high level with its piercing visual and thunderous musical accompaniment. I am all for surprising twists or the denial of clichés through lively passion. However, all of this must not happen at the expense of the viewer's engagement.
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A film that has an embellished but far-fetched plot. It was interesting, the actors were good, we never got sick of them even though there were only a few of them that we kept switching between; still, it somehow just couldn't hold my attention the whole time. The jumping from hypnosis to the real world and back is supposed to be interesting, the viewer is supposed to wonder what’s real and what’s not, yet I didn't see it that way. Instead it gave me a rather tired impression, which I only woke up from towards the end when the shooting started. Even though I wrote that the final payoff was excessive, it still fails to impress with a proper wow effect if the viewer has seen a few similar films. You can see through the smoke effects. But if Boyle wanted the viewer to feel sympathy for a man who gets a bundle at the end, he succeeded. A mediocre film.
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Danny Boyle is a director whose work cannot be overlooked. He handles the craft perfectly, he is creative and playful, and able to surprise us with technical tricks and film effects. Whether he works in any genre, he can create an impressive spectacle and his directing skills often overshadow weak screenplay foundations and outweigh banal subject matter. Trance is, at first glance, a crime film about a heist that, after the initial success, gets stuck and turns into a nightmare for its participants. The heist was successful, but the question remained: where is the loot, who is trying to blind everyone, who is being manipulated by whom, and who is pulling the strings? Although I understood that Boyle was primarily playing with me as a viewer, I easily engaged in the game and I can say for myself that I enjoyed it probably more than all three of Danny's previous films combined. For the average summer movie theatergoer, Boyle's thriller is probably too complicated, resembling a complex strategic board game where most players expect a lively party game without excessive mental strain. However, I very much enjoyed all the twists where the view of the earlier plot and its actors fundamentally changed, and I don't mind that in reality, hypnosis wouldn't work like this. In my opinion, Trance is one of the few films that can be enjoyed repeatedly and even appreciated more during subsequent screenings. Overall impression: 95%.
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