Die Hard - Drágább, mint az életed

Egy ultra zajos, fináléban már-már komikusan túlexponált rombolása mindennek, ami mozog és áll - beleértve a néző agyát és egy menő akciós sorozat egykori kultuszát is. Hat csillagot Uwe Boll-nak adjátok, ti idióták... (2013.02.22)

McClane gives up everything that is so great about him so he can go save his son's ass. That is, he gives up everything so he can spend his vacation trying to get his son to quit selling drugs... And what a great vacation, because of course daddy and son kiss and make up, share a laugh, get a little moist, get a little radioactive. Just a great vacation in the former Soviet Union that can make you go blind. (2015.12.30)

This time he brought you a Mercedes... The only thing that didn’t drop in quality was Beltrami’s music. Otherwise, this is like falling painfully on your face. For me, this isn’t another episode of that excellent series that I grew up on. I’m not treating it as one of them, so that I can be at least a little objective. I don’t like Moore, he already ruined Max Payne and he isn’t much good at making movies. Here at least he tries to push the action to the forefront (I have to admit that there really is a lot of it) because any switch to “father and son talking" equals catastrophe. I would be surprised if Skip Woods’ screenplay was any more than five pages long, it’s completely off any qualitative scale. It has some sort of story, but too few snappy lines and hogwash about the holidays soon gets boring. Bruce doesn’t give a damn about anything and he seemed to me to be overacting. And what else can he do, it’s a parody on Die Hard after all! I’m not going to have a dig at the illogicality of individual scenes, but several times I had a really surprised look on my face. Especially on the trip to Chernobyl. That reminds me of the days when I used to watch Seagal movies with my dad (e.g. Under Siege 2) and he always went on about what a pile of baloney it was, that it didn’t make any sense. Who on earth thought up such a load of tripe? Well, now I’m following in my dad’s footsteps. Wanna cuddle? (2013.03.17)

One awaits another instalment with excited anticipation, but in the end, the Die Hard saga only gets disappointing. Bruce Willis is getting old, he’s basically an old geezer now and at the beginning, he couldn’t have looked more like an old geezer. The action is interesting at first and relatively decent, but as time goes on, the movie becomes a load of hogwash. But the stupidest thing of all is the story’s shift to Chernobyl. I mean, that’s simply unreal. The worst thing about it is the fact that the movie looks good in the beginning thanks to the action, but the cameraman gets high on mushrooms after a while and the other cameraman gets all high on dopamine, because they couldn’t have messed up the end result more. The truck just flies across the bridge over to the road and everything explodes insanely. One would think that there’s nothing easier than filming a moving car and letting it all flow without editing, but the scene begins and everything crumbles into twenty thousand sequences, shots and explosions. And what puts the cherry on top is the stressed-out assistant camera operator who probably held the camera for the first time in their life and they shook the devil out of it within the first nanosecond. Awful. Die Hard used to be about humility, a story that used to be realistic, honest and – on the other hand – random since John McClane has always been able to find himself in the world’s greatest mess. But this was just an action flick with special effects and it was downright awful. It has basically nothing to do with the Die Hard saga apart from Bruce Willis. (2013.06.18)

A crazy day to die hard. When writing this script, Skip Woods occasionally forgot that he was writing another installment of an established series and often broke its established rules – unfortunately, including the traditional showdown with the villain. However, even so, I mostly enjoyed it in spite of myself. Because right from his first glance, Bruce Willis proves that he has missed his iconic role and relishes every shot or argument with the senator. Besides, John Moore, no matter how many flaws he has, simply knows how to handle action; he just needed a little push. I understand that McClane's adventure shouldn't focus on family values, but currently, the universal reactionism really disappoints me. That's why I will add an almost invisible plus to the solid 70 percent. But I want the sixth installment to be more personal in a completely different way. (2013.05.31)