Rendező:
Joe WrightForgatókönyvíró:
David FarrOperatőr:
Alwin H. KuchlerSzereplők:
Saoirse Ronan, Eric Bana, Cate Blanchett, Olivia Williams, Michelle Dockery, Tom Hollander, Cyron Melville, Jessica Barden, Álvaro Cervantes (több)Tartalmak(1)
Hanna látszólag semmiben sem különbözik a hozzá hasonló kamaszlányoktól. Ám a tini erős és kitartó, mint a legkeményebb zsoldosok. Nem véletlenül. Apja egykor az amerikai titkosszolgálat ügynöke volt. Eric Heller a világtól távol, a finn tundrán nevelte föl a lányát, akiből a tudását átadva profi harcost nevelt. Miután az apja felkészítette Hannát, egy faladattal visszaküldi őt a civilizációba. Miközben a lány különleges ügynökökkel és egy titokzatos nővel, Marissával találkozik, egyre többet tud meg a saját életéről és múltjáról. (SuperTV2)
(több)Videók (3)
Recenziók (12)
Progresszív szuper rendezés, lebilincselő Chemical soundtrack és jóképű színészi extra csapat a középszerű B-kategóriás forgatókönyvvel szemben. A Hanna - Gyilkos természet az év legérdekesebb akciófilmje lehetett volna, ha valaki veszi a fáradtságot, hogy kellően érdekes sztorit adjon hozzá. Ez sem jobb, mint pl. a Salt ügynök sztorija. De még mindig egy klassz dinamikus élmény. Ha Cruise fel akarta volna dobni az M:I sorozatot, akkor a Mission: Impossible – Fantom protokoll filmet Wright-ra kellett volna rábízni!
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As a fan of Joe Wright, a huge weight has been lifted off my heart. After the surprisingly average Atonement, he finally proves that he doesn't only need British history by his side and that he can also bring a "made-to-order" script to the screen with elegance and powerful impact. Hanna can be cold and distant like the Finnish wilderness, but within seconds can switch and suddenly become completely personal and filled with tension. In combination with the teenage perfectionist Saoirse Ronan and the rhythm of the Chemical Brothers' soundtrack, an experience that is hard to replicate is created. 85%
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An art-action film about a hit girl searching for her own female identity. I'll probably never understand how someone could push a script like this past the studio bosses, but I won't hide the fact that I loved it. There probably won't be many conquerors of this film in the "weird" box this year. In any case, it's clear that one box is very small for Wright. The chemical music is great, and Saoirse is an excellent actress, but Cate should ditch the negative roles. The Soviet agent has been replaced by an American, the black hairstyle by a red one, but the tragedy is the same. 4 ½.
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An interesting way to create a film. I had the feeling that someone had come up with a very smart story, sent it via “Chinese whispers” through several morons and then they filmed the result. The border between genius and idiocy can be very thin sometimes and this film steps on both sides of it throughout. It is superbly made, but all too often I shook my head at the stupid things happening on screen (and yet it would be enough to correct the script a little). By the end I laughed out loud several times. Also, the way the final chase with the two female protagonists is put together is nonsense and confusing. PS: Mild thumbs up only for Blanchett’s character – that’s how a charismatic villain should look like. 5/10
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I admire Joe Wright's work and I think that, despite his last two mediocre films, he's the greatest British talent of our time, but I just don't give a damn about delicate little girls who can beat up a guy a head taller and 50 kg heavier in hand combat. Such stupidly naive screenplays probably don't even belong in contemporary cinema (I hereby salute the 80s).
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