Rendező:
Pete TravisForgatókönyvíró:
Alex GarlandOperatőr:
Anthony Dod MantleZeneszerző:
Paul Leonard-MorganSzereplők:
Karl Urban, Lena Headey, Olivia Thirlby, Langley Kirkwood, Warrick Grier, Jason Cope, Domhnall Gleeson, Wood Harris, Scott Sparrow, Deobia Oparei (több)Tartalmak(1)
A lidércnyomásos jövőben tombol a bűnözés, bírók, rendőrök és ítéletvégrehajtók próbálják megvédeni az ártatlan polgárokat. Dredd bíró, a törvényesség elkötelezett híve mindent megtesz, hogy fenntartsa a rendet és a békét. Carl Urban megmutatja hogyan is kell hitelesen előadni a képregények legkeményebb, de leginkább legkönyörtelenebb igazságosztóját, aki még Sly Dredd bíróját is keresztbe lenyeli,miközben egy maroklőfegyverrel lebont egy komplett tömbházat. (PARLUX Entertainment)
(több)Videók (17)
Recenziók (10)
Igaz, nem dinamikus, de tele van mocskos posztapokaliptikus hangulattal és lenyűgöző díszletekkel. És nem fél a saját útját járni, cseszni a mainstreamre, és ötleteket önteni. Plusz egy nagyszerű A-kategóriás színésznő a fő bad-ass szerepében. Mint a legjobb Resident Evil epizód, zombik és szörnyek nélkül. Minden, amit 14 évesen akartam egy VHS filmtől a "Szárnyas fejvadász" forgalmazási címmel, és valahogy - az akkori elvárások és nézői igények mellett - nem kaptam meg :-)
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I wasn’t looking forward to it. I don’t know the comics, I didn’t watch the first Judge Dredd, I don’t like this kind of action B-movies, and the trailer was repellent. In short, the ideal position for a movie to surprise me. And it did. It’s brutal, with a dose of exaggeration so perfectly balanced that it doesn’t look cringe, but cool. Everything is properly intense: the visuals, the violence, the dialogues, the actors; everything is over the top, but not too much. Dredd can be considered utter bullshit, and many people will for sure. But for me it’s a distinctive, engaging, intense and purposeful movie without much competition in its sub-genre.
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From start to finish, a sough-after bit of nonsense that unwittingly joins hands with its inept predecessor from the 90s. It is all the more amusing that it strives so hard not to be such an unnecessary addition. And yet Karl Urban goes unused, the attractive Olivia Thirlby has a thankless role as a talented rookie, Lena Headey as the main attraction never steps out of the box of the anonymous antagonist, and the brutal action becomes boring after the third shootout. I don't understand what happened to Alex Garland's creative talent, which he obviously possesses in spades. Most of the time Dredd only hints at its world, showcasing only a few fragments and instead giving far more space to blatantly inaccessible scenes, and slow-motion shots that are, forgive me, plain stupid (without which this movie would have lasted no more than a weak hour).
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Bloodbath. It really reminded me of The Raid, but without the martial arts. Instead we got neat shooters with all the ammo modifications imaginable (a little and big boy’s dream) and classic fisticuffs... right down somebody’s throat. Urban makes a perfect Dredd, better than Sly in reeling off great lines, commanding greater respect. Lena Headey as Ma-Ma is a decent opponent and the new girl makes for pleasant viewing. Slo-mo was in charge of the visually powerful scenes (evidently low-budget) and the 3D might have looked good if only those bastard distributors had put it on general release. If it doesn’t earn, it doesn’t earn. More bodies for recycling.
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If the creators’ goal was to fix Dredd’s movie reputation after the ’95 fiasco, then… It went from bad to worse to the very worst. At least they stayed true to the original. But what good does that do when not even the greatest film talent would be able to create a movie (not to mention a good one) out of a display of unashamed gore and ultra-annoying ultra-slow-motion shots. Let alone a predictable bore like Travis.
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Galéria (190)
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