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Nicholas Van Orton bankár mindent elért az életben, amit csak akart: negyvennyolc évesen tekintélyes, dúsgazdag ember, a karrierje csúcsán van. Igazából nincs már, ami izgassa, az apja is hasonló korban lett öngyilkos. Unalmas magánéletének állóvizét az eltűnt öccse felbukkanása kavarja fel. Conrad sajátos születésnapi ajándékkal lepi meg, rábeszéli, hogy vegyen részt egy különleges, a gazdagok számára kitalált játékban. Nicholas rááll a dologra. Érdekesnek és izgalmasnak tűnik, mígnem baljós események sora következik. Nicholas magyarázatot keresne, de nyoma sincs a szervező cégnek. Hamarosan már az élete a tét. (HBO Europe)

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Recenziók (10)

NinadeL 

az összes felhasználói recenzió

angol I certainly have a long-built fondness for the great Michael Douglas films of the 80s and 90s, and Fincher's The Game is one of the highlights of that great era. Who can resist suspense thrillers in which Michael practically never leaves the screen? He's partnered with Sean Penn and Deborah Kara Unger, the subject matter is period-appropriate in many ways and it's all very enjoyable. Such an indulgence is irresistible. ()

Hirdetés

Marigold 

az összes felhasználói recenzió

angol I like Dave Fincher for his talent to "create" a great atmosphere and imprint a specific style on each film. Nevertheless, he has a problem with The Game, because this screenwriting mystification seems to me to be a disposable film. It’s not that I didn't enjoy watching the way the whole game with the viewer played out, and it’s not that Fincher didn't give the film his typical directing style. It's just that it’s missing that the vague, sparkling thing that, for example, Seven has. On the other hand, this is a pure and very straightforward thriller, so blaming it for the lack of depth is unfair. It’s good enough film material to entertain. ()

Kaka 

az összes felhasználói recenzió

angol The excellently written character of Michael Douglas and an interesting topic are undeniable advantages, but the uneven pace and slightly disjointed sequence of scenes are clear shortcomings of this peculiar film. The fact is, though, that David Fincher avoids any thematic clichés and each of his films is original and different. Douglas is outstanding again, and this time he is aptly supported by Sean Penn. The plot is nicely unconventional and full of captivating scenes. The question is, how much are you willing to embrace Fincher's game. ()

gudaulin 

az összes felhasználói recenzió

angol For me, the weakest Fincher's film, not so much because of the direction, where the director sets the bar, but because of the overly contrived script, where it's better not to think about certain parts at all, otherwise the viewer will realize that it simply cannot work. In terms of acting, however, it is an interestingly cast film and especially well-performed - Michael Douglas and Sean Penn belong to the top of the acting profession, and I have a weakness for Deborah Kara Undger. She can give an erotic charge to her female characters. But I really disliked that script with lots of seemingly effective plot twists. Overall impression: 45%. ()

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