Operatőr:
Benoît DebieZeneszerző:
Peter NashelSzereplők:
Lou Taylor Pucci, Chris Pine, Piper Perabo, Emily VanCamp, Christopher Meloni, Kiernan Shipka, Mark Moses, Brighid Fleming, Dylan Kenin, Josh BerryStreaming (2)
Tartalmak(1)
A világméretű járvány következtében az emberiség nagy része kihalt. A túlélők próbálnak menedéket találni. Ha hinni lehet a kósza híreknek, a kevés fertőzésmentes helyek egyike a tengerparti kisváros. Ide igyekszik Danny az öccsével, Briannel és annak barátnőjével, Bobbyval. Negyedik társuk Kate, Danny barátja a suliból. A négy fiatal egy kihalt vidéken keresztül száguld a kocsival. Jól ismerik a szabályokat. Ne állj meg senkinek! Kerüld az autópályákat! Figyelj a fertőtlenítésre! Az útjuk során azonban számos, előre nem látott problémával kell szembenézniük. (HBO Europe)
(több)Recenziók (6)
Egy érdektelen forgatókönyv egyetlen ötlet nélkül, helyenként ostoba logikával, szánalmas, már-már idegesítő karakterek, agyatlan rendezés. Egy ízek nélküli film, amely a sztori mellékvonalain már látott jelenetekből lett összerakva.
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Lightweight testimonial. Stephen King would have been delighted with this movie. I was impressed by the great atmosphere that swings between relaxed enjoyment and absolute despair. The cast is A-grade (Chris Pine rules) and the characters behave nice and realistically and if for a minute somebody behaves humanely, he is deservedly punished. Just one thing bothered me. I would have made the ending a little longer and had the rest of the crew eliminated too. But I suppose people like a happy ending. P.S.: Oh, I see now, Steve really was delighted with it, he even wrote something about it in an article in Entertainment Weekly.
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An interesting antithesis of a typical version of a disaster film - instead of bringing together and restoring ties through a borderline situation, we observe the breakdown of friendship, the disappearance of sexual attraction and the alienation of two brothers (neighbors become menacing neighbors and not vice versa, as is customary in Hollywood). The film is composed as a series of disillusioning encounters that only deepen the feeling of hopelessness. Carriers is similar to Soderbergh's Contagion, but unlike Contagion, Carriers is only average in terms of film quality and is more like a TV movie in terms of the arrangement of some scenes. Nevertheless, the absence of traditional clichés and schemes keeps your attention - also because Chris Pine, as the main (anti) hero, is tolerably unbearable.
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Completely mismanaged atmosphere inflicted by the carelessness of the filmmakers. I don't buy their bullshit about a horrible and deadly disease that is transmitted by breath, with everyone putting on their masks whenever they please, and you can clearly see that the gaps between the face and the mask make it leak like a hole in the wall. The plot (thanks to a pandemic when almost everyone died, four youngsters go to the places where they spent their childhood) is really stupid and also dysfunctional, because they keep meeting someone on the way. Of course, the main ills persist more in the first half. There we get mainly annoying humanism with a little girl. From the middle onwards (right at the moment when Brian walks his infected girlfriend out of the car) it starts to have some balls and the ending is even relatively functional. If you're looking for better films with similar themes, check out The Road, 28 Days Later, or Darabont's The Mist.
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Completely different to what I expected and wanted, but pretty interesting nonetheless. Instead of horror or thriller, this is a drama that hides an incredibly high potential and, unfortunately, hides it very well. The intense emotions are scarce and I only felt tension in three scenes, basically, they should have gone either harder or deeper, this is unsatisfactorily half way. Carriers left me with the impression of a sinfully squandered opportunity, but I’m still giving it three stars. It’s good, but it could be a lot better.
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