Alita: Battle Angel
Alita: Ángel de combate
Alita: Battle Angel
Alita: Battle Angel
Rendező:
Robert RodriguezOperatőr:
Bill PopeZeneszerző:
Tom HolkenborgSzereplők:
Rosa Salazar, Christoph Waltz, Keean Johnson, Jennifer Connelly, Mahershala Ali, Jeff Fahey, Jackie Earle Haley, Eiza González, Ed Skrein (több)Streaming (3)
Tartalmak(1)
Évszázadok múlva a jövőben, Iron City roncstelepén egy kiber-doktor, Ido, rábukkan a magára hagyott, eszméletlen kiborglányra, Alitára, és magával viszi klinikájára. Magához térve, Alita képtelen felidézni, kicsoda ő, és a világról sincsenek ismeretei; minden új élményt jelent számára. Próbál hozzászokni új életéhez és Iron City veszedelmekkel teli utcáihoz, miközben Ido óvja őt rejtélyes múltjától. A lány összebarátkozik a talpraesett Hugóval, aki viszont inkább segítene neki visszanyerni emlékezetét. A két fiatal egyre közelebb kerül egymáshoz, ám az Alita nyomában járó halálos erők hamarosan fenyegetést kezdenek jelenteni kapcsolatukra. Ekkor ébred rá a lány, hogy különleges harci képességekkel rendelkezik, amiket barátai és szerettei védelmezésére fordíthat. Elhatározza, hogy fényt derít származására; Alita olyan útra indul, ami során megmérkőzik e sötét, romlott világ igazságtalanságaival, és azt is felfedezi, hogy egyetlen fiatal nő is képes változtatni a világon, amiben él. (Fórum Hungary)
(több)Videók (38)
Recenziók (16)
Egy lendületesen elmesélt akciós sci-fi mese, szívvel. Hajtóereje a digitális Alita, aki meglepő módon a legélénkebb a karakterek közül. Supercute! És a jó öreg Waltz apuci is nagyon jó. Több időt adtam volna a többi szereplőnek, ez segítette volna a film komplexitását, ami egy kicsit hiányzik. És itt nem csak a szuper-milf Connelly és a hasonlóan fontos karakterek elmélyítésére gondolok, hanem arra is, hogy az olyan vicces mellékszereplőknek, mint a cowboy Fahey, is több teret kellett volna adni. Forgatókönyvben biztosan több tere volt. Mindenesetre az érzelmek és a látványos akciók úgy váltják egymást a filmben, mint hullámvasúton, és a törékeny lány végzetes harcossá válásával zajló csaták egyszerűen lélegzetelállítóak. Én elégedett voltam, és Atmos-ban vagy IMAX-nál lehet ismételni. A japánok el lesznek ragadtatva.
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I think that on paper, it must have seemed as a huge risk to put Robert Rodriguez in charge of such a gigantic project with a gigantic budget. But taking risks sometimes pays off, and I must say that Rodriguez has done a really good job with Alita. A beautiful cyberpunk movie from the distant future, which is imaginative, beautifully animated and, above all, full of bizarre (almost b-rated) ideas, which no one else but Rodriguez would have come up with. I had a great time and I think this movie turned out really well. An exemplary blockbuster with all the goodies that a blockbuster can offer. This includes actors, where I was the most pleased with, albeit animated, the leading actress Rosa Salazar, as well as her dad played by Christoph Waltz. Rodriguez put a bit of everything he’s made so far into this film. Absurdity, emotions, animated beauty, but also some Spy Kids vibe which I can forgive him for. Alitais simply a success and I enjoyed it to the fullest.
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Alita pushes computer acting to a new level, aided by a story whose straightforwardness and naivety (most painfully rising to the fore in the development of an extremely hollow romantic subplot) that have their charm, but it’s not enough for a two-hour film. I would rather suppose the basis of the film to be a young adult novel by an American author who loves Japanese culture and James Cameron films (at least the latter bit about James Cameron, who wrote the screenplay, is probably true), rather than a Japanese cyberpunk manga comic book. Christoph Waltz with a rocket-powered pickaxe, describing a martial art called Panzerkunst, philosophising about whether one can love a cyborg, and Mahershala Ali as Blade don't help much. Nevertheless, Rodriguez has not been so focused in his storytelling for a long time. Even more so than in the patient building (or revealing) of the world from the lowest floor, this can be seen in the uncluttered action sequences with very complex choreography (I would not shy away from a comparison with Ready Player One). I wouldn’t be surprised if it is such a failure that we won’t see a follow-up, but I also wouldn’t mind if a sequel was made. 65%
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A tarted-up lot of nothing that’s nice to look at. The visuals are unsurprisingly superb, Rodríguez’s direction is surprisingly solid and focused, and the robotic/computer generated main character is very likeable. I wouldn’t have a problem with it overall, if, somewhere in the middle, I hadn’t realised that the film not only wasn’t moving towards the central clash, but that it would also elegantly avoid it. To be continued, basically.
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I wasn't expecting much, but I was hoping it would turn out to be a fun and nice looking piece of crap. And in the end, it did. Alita probably won't appear on my list of the best films of the year, but the two hours in the cinema went by faster and more pleasantly than I would have guessed a few weeks ago. The visual effects and production design are top-notch and it's a really good watch, but this sci-fi epic gets the most points for its heroine. Rosa Salazar is great as Alita, she's both endearingly freaky and spectacularly deadly at the right moments. Robert Rodriguez keeps a surprisingly low profile and his action scenes are lucid and milk Hollywood's current technological capabilities to the max. The whole thing may be a little cheesy and 90s in both the good and bad sense of the word, but they are clearly aware of that. A lot of the themes aren't fleshed out enough (and shouldn't have been) and at times Alita turns into a sci-fi romance for teenage girls, but it still works. Personally, I had no problem tuning in on the same wavelength as Rodriguez and Cameron and enjoying the fact that it's big, beautiful, action-packed and fun. And basically, that was enough to satisfy me.
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