Rendező:
D.J. CarusoOperatőr:
Rogier StoffersZeneszerző:
Geoff ZanelliSzereplők:
Shia LaBeouf, Sarah Roemer, Carrie-Anne Moss, David Morse, Aaron Yoo, Jose Pablo Cantillo, Matt Craven, Viola Davis, Elyse Mirto, Amanda Walsh (több)Streaming (3)
Tartalmak(1)
Apja halálát követően Kale mogorvává, visszahúzódóvá, zaklatottá válik, olyannyira, hogy miután összetűzésbe keveredik egyik tanárával, a bíróság házi őrizetre ítéli. Anyja, Julie éjt nappallá téve dolgozik, hogy ellássa magát és a fiát, aki ezt csak közönnyel és letargiával viszonozza. Házuk falai kezdenek összezárulni Kale körül. Amikor elhatalmasodik rajta az unalom, figyelmét a házon kívülre fordítja, és elkezdi meglesni szomszédjait, köztük a csinos lányt, aki most költözött melléjük, no meg azt a gyanús urat, aki Kale szerint nem lehet más, mint az országszerte keresett sorozatgyilkos. Ám vajon mindez valóság, vagy csak a négy fal közé szorított zaklatott, hiperaktív képzelete játszik Kale-lel? (UIP-Duna Film)
(több)Recenziók (8)
Igazságtalan lenne azzal vádolni a Disturbia filmet, hogy a leggyakrabban újrahasznosított thriller-témára épít, és nem nyújt egyetlen meglepő pillanatot sem. Ez egy jól kidolgozott thriller olyan tinédzsereknek, akiket nem érdekelnek az olyan kifejezések, mint a "Hitchcock" vagy a Hátsó ablak. Shia LaBeouf méltóan feldobja az egész, kissé unalmas első órát, Sarah Roemer pedig felidézi a középiskolai évek első fellángolásait. Az utolsó 20 perc pedig tényleg rendesen kiélezett.
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It begins as a decent teenage comedy that in the second half turns into a thriller that pulls you a bit into the story. Shia has a quite a lot of talent, he carries this film on his shoulders all the way to an above-average rating.
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D.J. Caruso may not be in the category of directorial geniuses, but Temporary is honestly made craft, with a decent script (with a notorious theme since 1954) and especially a fantastic Shia LaBeouf. There hasn't been a teenager with such a flexible range of acting abilities in years. A likable film worth a Single watch that proves that even teen movies can be entertaining and clever at the same time.
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I don't know why Shia LaBeouf seems so scared and unshaven in all his movies, but maybe that's why I enjoy his movies in the end. In the beginning the movie seemed to me like "Home Alone for Grownups", gradually the movie picked up momentum and by the end I probably couldn’t even catch my breath.
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Disturbia is a combination of the thriller classic Rear Window and the independent film Cherish, presented in teenage packaging. This is a case where lively and high-quality direction surpasses the average script containing inconsistencies and unfinished elements. It is precisely because of the direction and casting that I ultimately lean toward giving it four stars, even though scenes such as when the protagonist fearlessly enters a house, knowing that he will inevitably confront a brutal serial killer who is significantly bigger, stronger, and experienced in the field, evoke a indulgent smile from me. I believe that you would do the same as him, but I would prefer to provoke the neighbors and the police. Overall impression: 70%.
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For me personally, this was a bit of a test for Shia LaBeouf to see if he really is that good even without "giant fucking robots" covering his back. And it seems that he is. So I hope that he will carry on in this vein. P:S: Sarah Roemer is the second best looking fox on the silver screen this year.
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Disturbia fulfills the parameters of a thriller concept down to the last detail, and elevates the acting of the captivating teenager Shia LaBeouf to above-average levels. If this boy started to finally play a man and stopped fooling around in front of the screen and pretending to be younger, it would be even better. Nevertheless, there is still plenty to watch. The first hour is relatively slow, with detailed character development and several funny and awkward situations. The second half and the final climax are a bit different, but surprisingly, the contrast between the two parts works quite well. D.J. Caruso directs inventively and tries to keep the viewer on guard. The opening accident and the final scenes in the basement are excellent. Otherwise, it is an above-average genre film.
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When a thriller is made by a director who discovers in the process of making it that he doesn't actually want to make a thriller, it's a bummer. I guess that's why Disturbia looks more like a boring demo of interior lighting options. It's like Transformers without the robots. Shia running around, acting completely irrational, confused, stuttering, well just "cuuuute". Yet he picks up the biggest slut in the western hemisphere through the most depraved method – stalking, taking off her bra, peeing in her swimsuit and so forth. Girls, if that's your thing... be my guest. In its detective moments, the film acts more like a parody – the final thunderstorm with no rain, the electricity working one day, going out the other, the cop who's otherwise at the house within three seconds decides to just fuck off and finish his burger. The ultimate collection of genre clichés and teenage boredom with decent direction. A thriller for the whole family.
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