Grindhouse: Terrorbolygó

  • Egyesült Államok Planet Terror (több)
Előzetes 2

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William és Dakota Block orvosházaspár, akiknek rendelőjét egy éjjel szinte elárasztják a város lakói. Az emberek hasonló tünetekkel fordulnak hozzájuk, testüket üszkös sebek borítják, tekintetük szinte már gyanúsan kifejezéstelen. A sérültek között van Cherry, a go-go táncos is, akinek a lába egy országúti támadás során leszakadt a testéről. Volt barátja, Wray mellette áll a bajban, és megpróbálja megvédeni a lányt. Cherry talán nincs a legjobb formájában, de a táncrendjében még van egy előjegyzés, amit teljesítenie kell. A lerokkant városiak egyik pillanatról a másikra felbőszült agresszorokká válnak, Cherry és Wray pedig egy alkalmi harcosokból verbuválódott csapat élén száguld a végzet felé, ahol nem vár rájuk más, mint milliónyi megfertőzött ember és megszámlálhatatlan halott. Van-e még biztonságos hely a Terror bolygóján? (Budapest Film)

(több)

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POMO 

az összes felhasználói recenzió

magyar Tarantino gyengéje a párbeszédek voltak, Rodriguezé pedig a sztori. Mindazonáltal mindkét film stílusos csemege, és konkrétan a Grindhouse: Terrorbolygó film a trash műfaj abszolút királya. A csillagos "troma skálán" egyértelmű 5*, a normál skálán 3*. ()

novoten 

az összes felhasználói recenzió

angol Filmed with love, humor, irony, detachment, and above all, joy. With every other shot, I had the image of an enthusiastic Rodriguez bouncing around behind the camera and looking forward to the next take. However, it occurred to me too often that the times when Robert was able to restrain his ideas and give them a form that didn't require me to protest against overcomplication and lack of taste were long gone. Yes, you can enjoy Planet Terror without necessarily liking it. It flies by, Bruce Willis occasionally takes a breather, Naveen Andrews delivers a great performance, and Freddy Rodriguez shoots so much that it will make your head spin. Add to that perfect scenes like "the most badass character in the whole movie riding a children's motorcycle," and you'll find that the plot just doesn't stop. But it's a splatter film. And with that comes blood, slime, corpses, blisters, more slime, repulsiveness, twistedness, and an extra dose of slime on top of that. And that manages to bring down the entertaining ride to the level of a slightly below-average (albeit perfectly fast-paced) snack. 55% ()

Hirdetés

Isherwood 

az összes felhasználói recenzió

angol Unbelievable as it may seem, Rodriguez's cinematic knowledge trumps even Tarantino's, and his Planet Terror is an absolutely perfect concentration of genre deviations, quirks, and flaws. The only person who can search for a more meaningful plot is someone who abhors the trash aesthetic or has never tried it on his own spectator senses. This is the most daring film of the year, which piles one idea after another, culminating in Rose McGowan, whom I hereby dub the hottest tigress of this film season, and Rodriguez the bravest freak who is bothered by absolutely nothing (the deaths of animals or children). I want Machete immediately, or Grindhouse II! ()

Lima 

az összes felhasználói recenzió

angol A proper homage to trash. For the uninitiated viewer, whose horizon in the horror genre ends at most somewhere around Count Dracula, this will be a "sick perversion" (in the words of my work colleague), while others will enjoy the tons of references and the irresistible depravity of Rodriguez's brainchild. I'm with Ish, I want more Grindhouse, Trey's machete-wielding avenger, werewolf SS-men, and a Thanksgiving slasher spree (including a trampoline)!! But I still like Tarantino's contribution to the project a bit better, because it's more personal and therefore more interesting. And definitely a big thanks to the Weinstein brothers who weren't afraid to put their money into this bold non-mainstream project. That they then unfortunately wept at the earnings is another matter. ()

DaViD´82 

az összes felhasználói recenzió

angol Where Robert Rodriguez loses out to Quentin in terms of filmmaking, inventiveness, polished style, and form in general, he paradoxically gains in fun precisely because, unlike his colleague, he does not attempt to squeeze “that little bit more" from this genre than it has to offer. This is just a dumb D-movie, and it’s well aware of that, and thanks to exaggeration and reasonable duration it manages to entertain the entire time. ()

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