Rendező:
Joe CarnahanForgatókönyvíró:
Joe CarnahanOperatőr:
Alex NepomniaschyZeneszerző:
Cliff MartinezSzereplők:
Ray Liotta, Dan Leis, Jason Patric, Chi McBride, Krista Bridges, John Ortiz, Busta Rhymes, Alan Van Sprang, Anne Openshaw, Bishop Brigante, A.C. Peterson (több)Tartalmak(1)
Nick Tellis (Jason Patric) nyomozót másfél éve leszerelték egy civil áldozat miatt. Amikor a kábítószer-osztály nyomozása zsákutcába torkollik egy régóta beépített ügynök halála miatt, Nicket visszahívják. Társául az elhunyt ügynök legjobb barátját, Henry Oakot (Ray Liotta) kapja, aki a bosszútól vezérelve nem válogat a módszerekben. Az osztály mielőbb le akarja zárni az ügyet a két nyomozó féktelen pusztítása és az elkövetett rengeteg szabálytalanság miatt. Nick és Henry végül találnak egy nyomot. Csakhogy a megoldáshoz vezető út még több áldozattal jár… (Film+)
(több)Recenziók (4)
A film vége és annak tartalmas gondolata jó. De ezt megelőző viszontagságok túlságosan nehézkesek és rutinszerűek ahhoz, hogy a film kiemelkedjen az átlagból. A hasonló Kiképzés című film sokkal kidolgozottabb vázzal és energikusabb felépítéssel rendelkezik.
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The plot is unoriginal at best and (especially in the end) a heavily cliched police story like this would have done better as an episode in a series. However, director Carnahan directed his own script with complete clarity, so despite the many flashbacks, the plot is still clear and has a strong drive that doesn't let up even in the more specific scenes of the protagonists. The same is true for the action, which, although quantitatively very sparse, occasionally comes to the surface. It is clear and authentically raw due to the handheld camera (you don't see bombastic openings like this very often). Ray Liotta is the best he’s been since Goodfellas, overshadowing the solid Jason Patrick, who has undergone quite a drastic change in his "look" and the role suits him quite well. In the flood of wannabe cool crime films, this is a very enjoyable spectacle that proves that old-school crime is still the best.
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In the film, it is evident that Ray Liotta tailored it to himself after his career took a downward trend and agents offered him only repetitive and uninteresting roles. He doesn't act poorly, but his best performance is still the released prisoner character in the film Control. In this crime film, the manually shot digital camera and editing are worth noting, but the script boils down to ingredients that are notoriously well-known and have been seen many times. I simply don't get an overall impression of more than 60%, even despite the relatively impressive ending and plenty of stylish characters from the underworld and police officers.
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A really good thriller with great acting performances and great direction. The predictable plot is masterfully told by Carnahan, and his back is covered by the great Ray Liotta and, unexpectedly, Jason Patric. And the conclusion that is assembled throughout the film through flashbacks worked out seriously well.
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