Vetřelec vs. Predátor
Alien vs. Predator
Rendező:
Paul W.S. AndersonForgatókönyvíró:
Paul W.S. AndersonOperatőr:
David JohnsonZeneszerző:
Harald KloserSzereplők:
Lance Henriksen, Sanaa Lathan, Raoul Bova, Tommy Flanagan, Ewen Bremner, Colin Salmon, Pavel Bezděk, Petr Jákl, Eoin McCarthy, Jan Pavel Filipenský (több)Streaming (3)
Tartalmak(1)
Különös építményre bukkannak az Antarktisz jege alatt. A milliárdos gyáros, Charles Bishop Weyland vezetésével tudósokból és szakértőkből álló csapat indul a jégréteg alatt rejtőző ősi piramis felderítésére. Az izgalmasnak tűnő kaland azonban borzalmas versenyfutássá alakul, amikor kiderül, hogy a piramis két földönkívüli faj összecsapásának évezredes színtere. A Ragadozók bizarr beavatási ceremóniájában az Alien-ivadékok a zsákmány, míg az emberek az Alienek kifejlődéséhez szükséges elemózsia szerepét töltik be. A fajok háborújában így az ember csak vesztes lehet. (Mozi+)
(több)Videók (4)
Recenziók (9)
Meglepően jól forgatott film, szép trükkökkel, dinamikus vágással és lendületes akcióval. Csak a Ragadozó vs. Halál első csatája volt áttekinthetetlen, de mégis tinédzseres elragadtatást váltott ki belőlem. Ami azonban a filmet átlagos szintre húzza le, az a HIHETETLENÜL idióta forgatókönyv. Hogy Paul W.S. Anderson csak lop, nem is lenne annyira nagy baj, de hogy a lopottakat következetlen ragasztóval ragasztja össze, hát az nem semmi. Egy jobb forgatókönyvvel és hosszabb játékidővel ez nagyszerű szórakozás lehetett volna. Ui. Engem egy kicsit zavart az idegen faj általános "megalázása". Én személy szerint jobban tisztelem őket, mint a nehézkes Ragadozókat.
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Ugly and uglier, as one of my friends aptly proclaimed. And in the midst of the ugly, a group of more or less handsome humanoids are desperately trying to survive... Paul W. S. Anderson filmed a very grateful theme, but instead of an atmospheric mix of claustrophobic tension and dynamic action, as offered by the computer game of the same name, an initially thrilling, then extraordinarily predictable murder story with an emancipated heroine and a ridiculous story emerged from it all. Unfortunately, the heroine isn’t anywhere near as good as Ripley, and her survival journey is full of pretty nice action sequences, but she lacks suspense and the ability to grab the viewer’s attention. It’s too bad, because the introduction to the film is quite promising, but then, unfortunately, the tension disappears in the regiments of quite-visible monsters. Anderson just shot a B-movie with average A-movie effects. A pleasantly-killed hour and a half, but the film’s credit does not increase in any way with the ugly (Predators) and the uglier (Aliens), quite the opposite. AvP is just a parasite... 50%
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The Alien is degraded to a drooling hopscotch, leaving the remnants of its sophistication in the original tetralogy - and mainly because of that, Anderson loses again with me this time. While the unsympathetic main characters acquaint themselves with the chilling environment and themselves, it's more boredom than a major annoyance. But when the alien newborn hatches a few minutes after meeting the facehugger, the queen agilely runs around and the predator senselessly respects the insignificant human, I wearily bury my head in my hands and leave. Shameful.
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For a horror movie it lacks even the slightest hint of atmosphere and, for an adaptation of an action game (or a comic book), it’s lacks action. Perhaps only the makeup deserves praise. A boring and uninteresting B-movie that you can see hundreds of on the shelves of video rental stores. Anderson was able to dishonor two legends in one film, so hopefully some skillful predator will find him and exact personal satisfaction for defamation.
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To embrace Anderson's latest film is, figuratively speaking, not to put your hand in the popcorn, but to go straight into it with your whole body. Even then, AvP is hard to accept. That said, technically there is not much to complain about, the effects are fine, the animatronic models of the aliens are really good, and the film has a brisk pace. But a rather fundamental problem is the absence of two important ingredients in a movie, there’s hardly any atmosphere and suspense. And the script? Everything follows tried and tested templates, without any surprises, and a plot that is transparent and predictable. Anderson's basic idea of the story makes sense, but it's rather dumbed down. Besides, what must McTiernan have thought when he saw that his formerly uncompromising hunter had become a damsel in distress? Please don't do that. The 2 stars are too much, taking into account the fact that I don't like crossovers, and their cold financial cynicism. Now I'm just waiting for someone to come up with a Red Riding Hood vs. Batman movie. That would be awesome!
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