Tartalmak(1)

Marty McFly átlagos kamasznak látszik, de van egy őrült barátja, Doki, aki megépítette a plutónium meghajtású időgépet. Dokit váratlanul halálos támadás éri, s Marty is csak az új találmánnyal nyer egérutat. Arra azonban ő sem számít, hogy 1955-be utazik vissza, épp abba az időszakba, amikor szülei is a padot koptatják. A bajt csak fokozza, hogy majdani anyja Marty megérkezése óta ügyet sem vet majdani apjára, ami beláthatalan következményekkel járhat a jövőben. Ha életben akar maradni, el kell érnie, hogy szülei egymásba szeressenek és el kell távolítania az anyját molesztáló Biffet. (Pannonia Entertainment Ltd.)

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Recenziók (10)

POMO 

az összes felhasználói recenzió

magyar Nyolcvanas évek, a Spielberg / Zemeckis együttműködés csúcspontja... Maximálisan szórakoztató, ötletes, intelligens, kifinomultan humoros, érzékeny módon tálalt mélyebb gondolatokkal. Egy olyan film, amely nem hoz szégyent a "popcorn" vagy az "(ultra)happyend" fogalmakra. Miért nem forgatnak ma már ilyen filmeket? Miért élünk ennyire lehangoló időkben? Ha eddig nem lettem volna érintett a filmmel, és a készítése idején értékeltem volna, akkor 5 csillagot adtam volna rá. ()

Kaka 

az összes felhasználói recenzió

angol One great thing has happened to me with this review, and I might be the only one among you. I am evaluating without any emotion, as it is only now that I have seen this film – in 2011. So no nostalgia. This film is very silly. If someone were to make something like this today, they would be crucified. Even Pirates of the Caribbean, silly as it is, is a little bit better than this (and it is also nonsense, by the way). ()

Hirdetés

Marigold 

az összes felhasználói recenzió

angol Had I seen it for the first time in my teenage years when I enjoyed similar stories, I would probably give it a definite five stars. Unfortunately, I watched Zemeckis' legendary sci-fi for the first time last week, which killed a bit of my enthusiasm. The story is very entertaining, some of the gags and situations are very nice, but I don’t really care for the "teenage spirit" and the unmistakable aesthetics of the 80's. Both of the title characters are really good, and the game with the influence of past actions on future things is also fun. This is a very successful hybrid with a great idea and a quality script. But aging… what can you do? ()

lamps 

az összes felhasználói recenzió

angol It's been almost thirty years, but this sci-fi adventure comedy still holds its place among the genre's elite, and there's no sign of that changing. After all, it's not every day that such an original, entertaining and perfectly thought-out script is born in the minds of screenwriters, even under the guidance of directorial wizards like Robert Zemeckis and Steven Spielberg. Just great, I can't but praise it. The visuals are stunning even after all these years, the unravelling of the story is simply flawless, and the duo of M.J. Fox and Christopher Lloyd were probably born for this legendary three-part series, and the way the creators dealt with the bar they set for the second part is truly incredible. 100% ()

Stanislaus 

az összes felhasználói recenzió

angol I delayed watching Back to the Future perhaps too long, because I had already watched some time travel films, so Robert Zemeckis' breakthrough film did not impress me as much as it did the audience of that time. This is not to say that I didn't enjoy Marty's Journey to the Past and Back, but quite the opposite. I liked the setting and the concept of the 50s, and in fact the 80s stylization, which I like to return to in films (whether it be the setting or when the film was produced). The high school storyline doesn't outright surprise anyone, but it was hilarious to watch the confrontation between the 50s school kids and the 80s kid who was simply three decades "more advanced". Besides the scifi-comedy line, the film also appealed to me for its action, especially in the final quarter. Of the actors, I was most amused by the goofy Christopher Lloyd, but the others also had something going for them – the "modern" Michael J. Fox, the coyly sensual Lea Thompson or the endearingly awkward Crispin Glover. Perhaps the only thing that bothered me was the visible make-up of the actors/characters. Otherwise, I was satisfied with the film, even though I was unable to fully appreciate its qualities and cult status. ()

Galéria (214)