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John WooOperatőr:
Horace WongZeneszerző:
Joseph KooSzereplők:
Lung Ti, Yun-fat Chow, Leslie Cheung, Emily Chu, Waise Lee, Feng Tien, John Woo, Yin-Tsi Sek, Kenneth Tsang, Fui-on Shing, Hsieh Wang, Ming Leung (több)Tartalmak(1)
Mark (Chow Yun-Fat) és Ho (Lung Ti) hűséges barátok, akik a legmegbízhatóbb emberei a hongkongi maffiának. Ho öccse, Kit (Leslie Cheung) rendőri karrierje érdekében, utolsó megbízásként vállalja el a tajvani pénzszállítást, ám elárulják, és börtönbe kerül, apját pedig megölik. Mark bosszút áll a tajvaniakon, és közben súlyos, maradandó sérüléseket szerez. Ho három évvel később visszatér, és megpróbál új életet kezdeni, de az egykori áruló, Shing rászáll. Mark úgy gondolja, hogy Shinggel végezni kell, aki közben Kitet is megpróbálja tőrbe csalni. (Best Hollywood)
(több)Videók (1)
Recenziók (4)
A stylistic warm-up in which the bullets don't yet flow through the barrel so gracefully. However, I simply don’t enjoy watching the tense family drama with my personal aversion to Asian emotions. 3 ½.
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A great story about two brothers on opposite sides of the law, where Woo includes a little less action (but where the action occurs, it’s that much more brutal), with a powerful dramatic feel to it. A surprising (rather sad) supporting role for Chow Yun-Fat. "Do you believe there's a God?" "Yes. I am God."
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John Woo's first big film, where he tried to combine depth of characters with strong values and traditionally exaggerated and theatrical emotions, hand in hand with bloody ballet. It's not a total dud, but sometimes it unintentionally oscillates between a parody of family relationships and theatre, combined with almost splatter-like action full of whizzing bullets and litres of blood. With time, he managed to smooth and balance both. So far, the only film of this master that I don’t need to watch again.
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This is John Woo's first film that truly brought him into fame and for which he became mainly known as a director who can shoot proper action sequences. The star of his film is Yun-Fat Chow, who was never really appreciated in American movies, but here he shows off really impressive moves. No kicks and punches, but properly bloody action. That's the recipe Woo bet on, along with interesting characters and a captivating story. And it worked. This is great to watch if you enjoy rougher action. The strength of this film also lies in how it skillfully combines rough action, humor, and the relational aspect.
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