Alíz

This slant on Lewis Carrol’s classic work, deformed by Švankmajer’s surrealism, proved to be the best possible. Its all-round flawless genius that will probably remain sorely unappreciated in the Czech Republic, while abroad, especially in Japan, it is praised to the heavens. And they are quite right because this is Švankmajer’s best work of all. Five * for the unforgettable rabbit alone. (2007.08.01)

In its time, this film was something like a revelation to me. Thanks to it, I became, when it already seemed that I would finally grow up, a dreamy child again, much to the displeasure of everyone around me... I discovered the works of Jan Švankmajer thanks to it and became a big fan of his. In this film, Švankmajer capitalized on the previous two decades of his artistic work and experiences from his early short films. It is surrealism in its purest form, where it is not so much about the story, but rather about the barrage of artistic installations, artifacts, and ideas, as well as avant-garde animation that pushed the boundaries of what was previously known and possible. The elevator ride impressed me the most with its passing floors filled with a variety of strange creatures and plants created by Švankmajer. He devised an entire alternative world and used old illustrations from Brehm's "Life of Animals" and 19th-century encyclopedias as a starting point for creating creatures that seem to come from a fantasy world. Švankmajer's wife, Eva, also contributed to the film's artistic aspects. Overall impression: 100%. I have seen four more versions of Alice to this day, but none came close to Švankmajer's... (2006.06.16)

Jan Švankmajer - by the way, my first feature film by this creator, which is a bit sad - he managed to do something unbelievable. To maintain the strangeness of "Alice", but to add his own approach and turn it into a story that is not far from horror at all. Minimalistic and yet with a wonderful imagination, beautiful and terrifying. (2016.02.08)