Pókember - Nincs hazaút

I didn't expect that the emotional wringer Avengers: Endgame gave me would be repeated – let alone that it would happen just two years later and out of the blue. This is not just a journey back home, but also a way to repay long-standing debts to loyal fans, whether it hurts or warms them the most. The first act is still a classic attraction of the pure MCU formula, a hyperactive arcade that some love and some hate. But once it gets serious and Doctor Strange enters the story, everything gets better, purer, and more epic. At a certain point, I became an emotional bundle of joy, thinking constantly the same thing in musical or dialog reminiscences. It's such a great feeling to be a part of this right now. A Christmas gift, the finale of a trilogy, a crossroads of the spider fandom, confirmation of Tom Holland's growing talent, and last but not least, a blockbuster that somehow manages to stand on its own. (2021.12.20)

A solid popcorn flick and a decent Spiderman movie about Peter's transformation from a teenage boy to a man, but it fails completely in two aspects. Paradoxically, in those on which it should build and stand: the use of old friends and in the fan service. At a time when the spider-universe has offered such gems as Into the Spiderverse (this is how you work with the possibilities of "many worlds"), Life Story (this is what real fan-service looks like), and the Insomniac reimagination (this is how you work with serious themes in Spidey's rendition), to come up with something that brilliantly scatters all the available LEGO bricks on the floor, but doesn't assemble them into anything other than exactly what you'd expect, is a bummer. There is plenty of time and space, but there is not even a hint of an attempt at anything more than "XY takes off his mask, his musical motif plays, his catchphrase comes on, the audience freaks out"; no idea, no playfulness, nothing beyond a few seconds of nostalgia. That's not fan service worthy of as many aces up your sleeve as there are. And there are plenty! They could (and should) have got out so much out of it. Well, they did, but it didn’t work. And as a result, it’s nothing but a solid pop-corn flick and a decent Spiderman movie. (2021.12.16)

The best Spider-Man and a solid Marvel movie, but still does not reach the level of Endgame. I'm sorry I didn't see it in the cinema and it's strange to write about a movie after so long when almost everyone has seen it (not my style), so just briefly. The opening with the reveal of Spiderman's Identity is quite overwhelming and powerful, the emotions work and I could easily see the whole movie in a similar vein, but once Dr. Strange intervenes, nothing will ever be the same thanks to the Multiverse. The return of the old villains from the nostalgia side is a pleasure (on the other hand quite a shame, as I like the new villains), and so is the the return of the older Spider-Men (after 5 months of spoilers I guess no one will complain). It has great pace, a nice atmosphere, the humour works in places and the action is solid, although there is not much of it, but it doesn't really matter. All the fatality, atmosphere and visual play, along with the emotions and the excellent Holland and the diabolical Defoe work, and even though I was expecting a stronger impact at the core, it's still a solid film and comic book adaptation that will offend few. I won't resist watching it again. Story 4/5, Action 4/5, Humor 3/5, Violence 0/5, Fun 5/5 Music 4/5, Visuals 5/5, Atmosphere 4/5, Suspense 2/5, Emotion 4/5, Actors 5/5. 8.5/10. (2022.03.16)

In the context of the comic-book movies made so far, Spider-Man: No Way Home is a miraculous phenomenon. Unlike other superhero movies, it doesn’t conform to the dad ethos of aging fanboys, but instead exclusively targets millennials and younger viewers. What’s more, it even adopts their values and, on top of that, confronts them with the essentially evil and instructively corrosive black-and-white duality of older films. Like today’s (or any) younger generation, the Spider-Man of No Way Home is rashly hyperactive, naïve and idealistic. Besides its hypermedia nature and the motif of friendship, a more fundamental shift is manifested in the transformation of Spider-Man’s values and message. Though there is the inevitable facetiously adult proclamation “with great power comes great responsibility”, Holland’s Spider-Man does not have to give up his youthful view of the world within the coming-of-age story arc. Rather, his view permeates the whole film and underscores the central motif of its narrative, which is the effort not to fight the bad guys, but to find ways to help them. (2022.01.08)

There are very few movies I wouldn’t mind arriving late to so I could actually appreciate them. Spider-Man: No Way Home is really great, unfortunately it's only great after an hour, when everything starts to come together, kicks into high gear, and Jon Watts delivers not only fanservice and very solid action, but also very effective emotions. Everyone on the screen is enjoying it and they can rightly pat themselves on the back for making fantastic popcorn entertainment without getting lost in grand ambitions. But then there's that first hour, for which the screenwriters, the director, Tom Holland, and maybe everyone who could have prevented it from looking the way it does, deserve a good slap. Peter Parker in Holland's portrayal is still a kid, or rather a teenager. That's what the series is built on, I get it and actually enjoy it, but he was never an idiot. Here he is. Parker behaves like an irresponsible jerk, but it's no longer funny, playful, or entertaining. His incompetence and stupidity far exceed everything I'm willing to tolerate in an action blockbuster, and I set the bar really high. And actually, it ruined the whole movie for me to a large extent, because in all the following scenes I was thinking that it looks great, but I would actually be pleased if Parker got buried under a skyscraper, because I don't know if I want to cheer and root for such a dumb moron and a happy ending. Two hours after the end of the screening, I can honestly say that I belong to the satisfied ones. However, if I ever watch it again, I will definitely start from the halfway point. (2021.12.15)