Twin Peaks

David Lynch and Mark Frost present a game with an absolutely engaging and incredibly stylish set of bizarre characters against the background of the mysterious murder of a high school girl. What originally appears to be an ordinary everyday police investigation in a mountain town, gradually turns into a misty mystery with a dense atmosphere that could be cut with a knife. MacLachlan's FBI Special Agent Dale Cooper is one of the best-written characters in TV history, although it has to be noted that Twin Peaks offers a whole range of other great characters. (2020.02.18)

With this series comes the inevitable variation and expansion of the mythology of the excellent first series. Old characters get into increasingly bizarre situations and then there's a whole range of new characters, a higher number of episodes, new directors and creative styles, which, together with the producer's decisions, leads to a slight "smoothing" of the story. And just when you think to yourself that it's starting to get too “soft”, David Lynch comes back as director and he literally throws a bomb into the town, blasting Twin Peaks characters and motifs in all directions with the last episode leaving you reeling. Now it's somewhat difficult to describe how frustrating it was to see this ending, as the third series did not come along for many many years. (2020.02.18)

In the second season of Twin Peaks, David Lynch dropped a bomb and shuffled all characters and motives in all possible directions. This time, he went for the atom bomb – literally, so the storyline can go absolutely anywhere. We’ve entered an uncharted zone of Twin Peaks. It’s a journey inside Lynch’s utterly unpredictable mind. Besides, with eighteen hours of such an unprecedented TV creation, I doubt anyone will ever produce anything even stranger and crazier. Unless it is Lynch himself coming back to Twin Peaks one last time. Fingers crossed. (2017.09.05)