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Netflix’s been bombarding its audience with sci-fi pieces, and I’m really glad that there is someone who’s not afraid to produce films no one else would dare to. Even though this particular one is a rather intimate piece, both in the terms of story and actors. I consider it enjoyable, even though watching it once is enough. But as it’s a small-scale sci-fi, I wouldn’t expect anything more. (2020.04.16)

I liked the idea with the destruction of mankind. The mother seemed especially empathetic and had exemplary skills as a caregiver. The middle of the film drags a little, Swank is terribly unpleasant and her daughter often behaves illogically, but it picks up again in the last half-hour. The effects look pretty good too. Textbook Asimov served up in a rather weak form. (2020.11.11)

Netflix delivers an Australian post-apocalyptic sci-fi film with robots in the style of Ex Machina and it's a more than enjoyable spectacle that carries a hidden message and demands plenty of attention to the details. Humanity has been destroyed and we follow a robot inside a ship that uses an embryo to create a little girl who is supposed to be a new beginning, but things get complicated when an uninvited guest arrives at the ship. Pleasantly intimate, superbly acted, with a chilling atmosphere that benefits from the viewer's uncertainty of who to trust, and believe me, you won’t know how the film will end until the last moment. I also liked the unexpected twists and turns and the suspense, so a pleasant surprise for me. 70% (2019.06.11)