Kraj svjetla

On a most real stage of all, a director of this hybrid film lets an unreal story flow. While Croatian nationalists stage a protest in front of the Rijeka theatre against its art director Oliver Frljić (a well-known figure to Czechs, among others), on a nearby island of Goli otok, amateur actors rehearse a surrealistic performance. Dilapidated buildings of a former concentration camp, secretly erected by Tito’s régime to hold political prisoners, serve as props of a Lynch-like scene in which smeared-faced actors become objects in the waxworks of their own dreams. The world of imagination and the world of bleak reality start moving away from each other. (Ji.hlava International Documentary Film Festival)