Jojo Nyuszi

Taika Waititi is a filmmaker worth keeping an eye on - assuming you appreciate his somewhat disrespectful humor based on ironic exaggeration and unique type of poetry. His talent and limitations are clearly evident in Jojo Rabbit. The director chooses actors excellently and is able to bring out the maximum from them, especially the child actors, including Roman Griffin Davis. He has a developed sense of exaggeration, absurdity, and situational comedy. The humorous part of the film works much better than the part that aims to move and elicit catharsis. Kachyňa was able to sell tragedy and laughter within one style, while Waititi's transitions between frivolity and seriousness in storytelling seem rushed and sometimes even disruptive. The director is not afraid to use anachronistic musical motifs, allowing you to watch his characters in the midst of World War II accompanied by The Beatles or Bowie. Sam Rockwell is one of the most likable characters who has ever worn a Wehrmacht uniform, and you will likely love his casual captain who traded the front line for a gang of children in Hitler Youth uniforms. The success of Jojo Rabbit lies in its entertainment value, pace, and humor. Nevertheless, international audiences will especially appreciate its ability to deliver clearly articulated moral messages in a pleasant manner. It is typical Hollywood fare, and much tamer and less controversial than Taika Waititi would like. You have probably seen a similar story in slightly different packaging before. Personally, Waititi's portrayal of Hitler did not resonate with me. In my opinion, it was too childish and harmless. However, despite my aforementioned remark, it does not affect my overall impression of 75%. It is a crowd-pleasing film that also appeals to family audiences. It does not require deep historical knowledge from you, and honestly, it is better not to scrutinize Waititi's storytelling style too much, as you may find flaws within it. (2020.01.31)

So much of a different movie than I'm used to seeing in the cinema that it made my head spin a little. However, that uniqueness is at the same time so likable that I forgive the over-the-top humor in the scenes where it wasn't particularly necessary. Just a moment later, a nearly brilliantly timed gag might come, or Taika Waititi might unexpectedly deliver a punch below the belt, for which a viewer in the right emotional state will still thank him. (2020.02.06)

Ten-year-old Jojo and his imaginary friend Adolf would do anything for Germany. But when the little hero discovers that his mother is hiding a Jewish girl at home, everything changes. Taika Waititi directs a visually very imaginative film that alternates poignant and harsh moments with humorous ones, and Scarlett Johansson and Sam Rockwell give some of the best performances of their careers. (2020.02.18)

Taika Waititi has made his best film and his style is very close to Tarantino's. A very original war satire with a strong story, tasteful humour, engaging dialogue, great performances (Scarlett Johansson deserves an Oscar, but I also like Sam Rockwell, Taika Waititi as Hitler and the small and clever Roman Griffin Davis). The biggest highlights are the training of the young Nazis, the visit to the Gestapo and the finale. The film manages to surprise several times, keeps a decent pace and the humour is occasionally replaced by a cold shower. 8/10. (2020.01.05)

I was looking forward to Jojo Rabbit for a long time, especially since it’s made by a director whose every film in recent years I totally loved and I only wish him happiness. Moreover, he chose the Czech Republic as the filming location, and the resulting film was nominated with an Academy Award for the best feature film. I understand that the competition is tough so Jojo Rabbit will probably not win, but it’s still a nice promotion for our little country. A war satire is a very visible topic, and when it’s well-made it’s hard to forget. And Taika Waititi did a great job, even though I expected a bit more humor. In places I didn’t know whether it was satire or fantasies of the main character Jojo, perfectly portrayed by Roman Griffin Davis. Taika Waititi is very good in guiding actors in general. And him guiding himself as Hitler is the funniest part of the whole film. In the second half, however, you’ll meet with more serious scenes, which show that even though Jojo perceives the fascists the way he does, it is still war and it’s not exactly fun. A well-done satire, but it’d be even better with more humor. It still has one unique feature, though – the most likable Nazi everplayed by Sam Rockwell. I haven’t seen such a well-written character in a while. (2020.01.30)