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In his narrative film debut, Kent Jones brings us the story of Diane, a widowed, altruistic septuagenarian whose life is dictated by the needs of others. She fills her days serving food to the homeless, visiting ailing friends in the last years of their lives, and, most centrally, desperately attempting to reach her drug-addicted son, despite his repeated efforts to push her away. But as these pieces of her existence begin to wither and fade, she finds herself forced to look at her own identity - and memories she’d sooner forget than face. (Tribeca Film Festival)

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angol In his belated feature-film directorial debut, former film critic and documentary filmmaker Kent Jones offers a sensitive character study of a working woman from a small city who forgets to take care of herself as you she takes care of others. With every scene, this long-resonating, stylistically unobtrusive film is remarkably rich in meaning. Diane relies on a highly subjective narrative, the director’s sense of detail and the deeply felt acting of Mary Kay Place, which strengthens our affinity for the main protagonist while contributing to doubtfulness with respect to her mental health. The film is also valuable due to the matter-of-factness with which it states that at the end of our life story, no major point will be revealed, but only death in loneliness. 80% ()

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