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Maria (Marlene Dietrich) is married to Sir Frederick Barker (Herbert Marshall), a British diplomat who spends a lot of time travelling and pays little attention to his partner. Maria is starting to feel neglected by her husband and while she is visiting a friend in Paris, she meets Anthony Halton (Melvyn Douglas), an American tourist. The pair develop a mutual attraction but Maria decides not to act on her feelings for the sake of her marriage. Shortly after her return to England, Maria and Frederick attend the races and she spots Anthony in the crowd. Maria is tempted to begin a romance with Anthony, while Frederick begins to suspect that his wife might be growing restless. (forgalmazó hivatalos szövege)

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NinadeL 

az összes felhasználói recenzió

angol Angel was Marlene's last film for Paramount, which concluded her first Hollywood phase. After the success of Morocco, she signed a glorious seven-year contract, most of which she filled by working on some of the most accomplished films in world cinema. On that occasion, she minimally distanced herself from her maestro Joe, but she also began enjoying working with fashion maestro Travis Banton. Travis was the uncrowned king of classic Hollywood studio costumes. After Marlene and Joe parted ways, her relationship with Travis also ended. They knew that the Angel was their last job together and therefore Mrs. Brown was not allowed to wear anything other than exactly what the mise en scene called for. In addition, Lubitsch's game, in which Marlene oscillated between the earnest Marshall and the urgent Douglas, provided many interesting opportunities for the plot to always be punctuated by visuals as well. So what about the music? Classic Hollaender goodness. It is unspeakably devastating that after such a film, Marlene went on such a long vacation before she decided to return to the screen again. In 1938, she could have created even more gems. ()

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