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What comes to mind is of course a comparison with Interstellar, Gravity or, God forbid (the premise!) Apollo 11. In the first two instances, the similarities are visual while in the third case they relate to the plot. However, The First Man is still a unique film, by which Damien Chazelle managed to blow the minds of everyone who were looking forward to a typical action flick with everything it entails. Because The First Man is everything but an action flick, even though it is full of suspense. My only regret is that this film is too long. Certain dialogues could’ve used some cutting. I however liked looking at Neil Armstrong with his own eyes. Naturally the most visually compelling part of the film is its second half that beautifully shows Apollo 11 landing on the Moon. It almost makes you think that the director and cameraman actually landed on the Moon again to take these breathtaking shots. I can imagine that watching this in a cinema must be absolutely fantastic. Ryan Gosling is of course a great choice. I didn’t think he would come unprepared for his role of Neil Armstrong. Moreover, the political debates revolving around NASA were a welcome bonus. (2019.10.16)

It's probably going to get snubbed at the Oscars, given the audience ignorance and the politics the Academy has set in recent years, but for me, this is the Movie Of The Year. A technically extremely precise piece of work and at the same time an emotional ride that gives you goosebumps in the last act. In fact, I can't remember the last time a film with a scientific basis has grounded me like this. Perhaps Zemeckis's Contact, twenty long years ago. Gosling as a man who has to suppress his emotions and think coldly and rationally, otherwise he couldn't do his job, is totally accurate as an actor. At the other pole, Claire Foy is a geyser of emotion, and Hurwitz's music is energetic and intimate at the same time. This is going to be the pride of my blu-ray collection. PS: Unfortunately, there are mental gimps among us, such as the "greatest horror expert" Psychor, who vulgarly disparage human agency bought with sweat and blood. I don't know, couldn't these individuals just die so they don't poison our air? (2018.12.15)

Damien Chazelle is one of the most interesting young filmmakers of our time, and I don't know if Whiplash or La La Land is better. Anyway, with these two films he has shown that he is not going to be stuck in one single genre, so I was looking forward to the Neil Armstrong biopic and the story of the conquest of the moon. In part, I got exactly what I expected and wanted: a technically perfect film that suits the IMAX big screen, has great cinematography and a sound design that makes you feel scared during the Apollo 11 launch like a regular horror movie. It's great to watch, but Chazelle tries to tell perhaps too many things surrounding the event, and there are just too many stories of pilots, engineers and families. So much so that a lot of them fizzle out and don't lead anywhere substantial plot-wise, or have as much emotional impact as they might have wanted. Overall, though, this is still a must-see film, and preferably in the best and biggest theater possible. There, First Man can be compared to Gravity or Interstellar, at least technically. (2018.10.04)

I was a bit skeptical, but this is a film that should be seen and as a result I am pleasantly surprised. This is my first film experience with Damien Chazelle, his work hasn't interested me much so far, but he's getting my attention with this film. First Man is an engaging biopic of Neil Armstrong and it was very nice to see how everything works behind the scenes in this one. Ryan Gosling is excellent as always and the trip to the moon is nicely paced and suspenseful. I wasn't downright bored despite the slower pace, but if I had to choose from recent great sci-fi to watch again, I'd probably prefer The Martian and Interstellar. Decent. 75%. (2019.01.15)

A monthly Elegy. A film that is much more about fatherhood than space exploration. After all, it is just a place where our thin and frail shells throw away their sadness and anxiety. Nothing took me apart this year like First Man. A virtuoso mosaic of sharp, detailed, claustrophobic fragments in super 16 and IMAX width, which perfectly flushed out my sensory receptors. Gosling can channel melancholy with his eyes, and Claire Foy's performance is stronger than gravity. This is what Interstellar was supposed to be. For me, this the greatest film experience of 2018 and the perfect reparation for La La Land. (2018.10.20)