The Nightingale

Nem zavarnak az egydimenziós karakterek és a bosszúállás brutalitása műfaji bűnös élvezet keretében, de A sebzett csalogány a maga nagyon korlátozott elbeszélői tehetségével, amit maximum meg lehet említeni, tematikusan jelentős beszámoló akar lenni arról a kegyetlen korszakról, amikor angolok települtek át Ausztráliába, nagyképűségükkel és kegyetlen bánásmóddal mind aboridzsinekkel, mind bűnözőkkel. Kisgyermekek meggyilkolása, megerőszakolás, parasztcsaládok megölése csak úgy szórakozásból. A nagyon erős, brutális bosszúállós filmet sugalló nyitány után a film fokozatosan áttér a szellemesebb célra, miközben végig olyan a hatása, mint egy átlagos filmes diáknak szánt drága gyakorlat. [Helsinki IFF] (2019.09.29)

Jennifer Kent, director of The Babadook, delivers an Australian rape and revenge drama that is definitely not for mainstream audiences, especially NOT for pregnant women! The year is 1825 and the protagonist, Clare, is a young Irish convict in the Tasmanian outback chasing the British soldiers who have committed an unforgivable and horrific act of violence against her family. She is aided by an Australian Aboriginal tracker, also traumatised by past acts of violence. Once again, after a long time, we have an oppressive, chilling, unflinching, damn uncomfortable and disturbing film that doesn't shy away from violence against women or children. The rape scene in the cabin will be the deciding factor as to whether you will tolerate or give up on the film. For a film directed by a woman, it has unexpectedly more balls than those of other directors. The downside for me was the slower pace and a slightly excessive running time, but otherwise this is a solid film that adds a different dimension to my favorite subgenre. 75%. (2019.10.26)

I really like films set in a time when Australia was still just a penal colony, where the British put away all the individuals unworthy of sharing the same island with the royal majesty. This film didn't disappoint me (well, maybe a little). It had quite a brutal start, but then the quest for a bloody revenge turned into long stretches of wildlife tourism mixed with the beginning of the Irish-Aboriginal friendship. In the end, despite a somewhat longer running time, I was quite satisfied. 4*- (2020.08.11)