L－エル－
Rendező:
Shimoyama TenOperatőr:
清川耕史Zeneszerző:
吉川清之Szereplők:
Arisu Hirose, 古川雄輝, Maryjun Takahashi, Seika Furuhata, Yôji Tanaka, 弥尋, Hitomi Takahashi, 高畑裕太, Yasuyuki Maekawa, ミカコ, 高木直子, Kentarô Furuyama, Ryô NaritaTartalmak(1)
Raised in a happy family by her loving parents, the young girl L (Alice Hirose) met her childhood friend and artist Oves (Yuki Furukawa) on a hill in La vie an rose, the town said to be "void of color." One day, L loses both of her parents to an accident. Oves cheers L up, who was distraught with the loss of her parents, with one of his drawings, and the two grew up together while supporting each other. Several years later, the now grown-up L is forced to make a choice, and suddenly left her hometown… L, who arrived in C'est la vie, the town where everyone dreams about, fell in love, and started a new glamorous life as a top dancer. However, trouble continues to plague L wherever she goes, and L is lead towards a cruel life. After several more years, L realizes the love she has continued to search for through the curious whim of fate… (Toho Company)
(több)Videók (3)
Recenziók (1)
A very strange, tragic, artistic – or as they say here art – film based on the 4th album of the band Acid Black Cherry. It's that album that tells the story of Eru, which eventually received this film version. So it's no wonder that it partly feels like a long music video, but also feels like a theatrical production. Even though the film tells the tragic life of a bland woman who was apparently loved by men due to/because of her pretty face and sweet demeanor (well, except for one), I couldn't help but like the heroine. I found her incredibly flat (her breasts, that is). Hirose Alice is beautiful and I think she did as well as she could, but the direction was rather weak, so it doesn't have the proper impact in the end. It's basically such a miserable story, almost like Victor Hugo wrote it. But you can contemplate Eru and her men. Who was the worst. Who was the best. And why.
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