Rendező:
Vít OlmerForgatókönyvíró:
Vít OlmerOperatőr:
Karel FairaislZeneszerző:
Ondřej SoukupSzereplők:
Jakub Prachař, Gabriela Lašková, Roman Skamene, Josef Nedorost, Jan Potměšil, Veronika Jeníková, František Švihlík, Miloslav Kopečný, Simona Chytrová (több)Tartalmak(1)
They owned streets in the centre of Prague. They were making a lot of money and they were spending it wildly. What do they do today, though? They are long time out of prisons. Their old system of making money by illegal exchange of foreign currencies for western goods vouchers is gone but there are still many ways how to make "fast cash." All you need is to know how to do it - subsidies frauds, bribery, tunnelling, theft. The story starts with the arrival of a young and naive Martin (Jakub Prachař). He doesn't have a job, parents, girlfriend or friends, but he has debts. He came to Prague from Boleslav to make some money. He meets Bíny (Roman Skamene) who works the streets again. This time as one of Old Town Square's restaurant barkers. Bíny sees Martin as a possible partner for the uncertain future and engages him in his fiddles. (forgalmazó hivatalos szövege)
(több)Recenziók (2)
“That’s how we were.” Vít Olmer returned to Czexploitation almost two decades later and created another time capsule containing the filth and bizarreness that contemporary Czech society is mired in. Expendable Czech cinema with a generous helping of fan service for older and advanced viewers and serving up a thick distillate of cynical decadence and the outraged hysteria of plebeian internet discussions.
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Unfortunately, Bony a klid 2 is the same dud everyone expected. Unfortunate? The return of the filmmakers and actors is sympathetic, the flashbacks are cleverly used, and oddly enough it even has the same feel as the original film, but as a whole, it just works as one big music video that has nothing to do with the feature film format. But what broke my heart is the fact that Josef Nedorost is no longer sexy - he is just okay now, but his charm is definitely gone. Jeníková, Potměšil, and Skamene are alright, but the craziest thing was the storyline with Simona Chytrová, who should have just stuck to the costumes.
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