Rendező:
Anthony C. FerranteForgatókönyvíró:
Thunder LevinOperatőr:
Ben DemareeZeneszerző:
Ramin KoushaSzereplők:
Tara Reid, Ian Ziering, John Heard, Cassandra Scerbo, Jaason Simmons, Marcus Choi, Sumiko Braun, Charles Hittinger, Aubrey Peeples, Connor Weil (több)Tartalmak(1)
A napfényes Los Angeles felé soha nem látott tornádók közelednek. A Csendes-óceán vízét felkavaró széltölcsérek cápák ezreit repítik magukkal. A szélsőséges időjárás özönvízet zúdít a városra és a tenger csúcsragadozói ellepik az utcákat. Egy csapat szörfös Baz (Jaason Simmons) vezetésével sikeresen menekül a várost ellepő cápák elől a biztonságot nyújtó Beverly Hills dombjai közé, azonban az újra és újra kialakuló tornádók elől sem a földön, sem a levegőben nincsenek biztonságban. Feleségével (Tara Reid) és gyerekeivel karöltve hajmeresztő taktikákat bevetve harcolnak a mindenhonnan lecsapó cápákra. (ADS Service)
(több)Recenziók (3)
The most entertaining Asylum ever. And better and better with every co-viewer, every beer and as every minute goes by. The last third was absolutely unbeatable and, for its ingenuous idiocy, a work of genius; in the history of cinema it would be hard to find anything at least remotely similar to the heroic salvation of Nova in the history of cinema (who would have guess that someone like Ziering would send Chuck Norris into retirement?).
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I only watched the "film" because a YouTube video compilation of its stupidest scenes got to my attention. Which means I kind of knew what I was getting into. I mean, I thought I did. I didn't. There could be no doubt that the plot was going to be terrible, but it was such an artless piece of crap that I almost decided against giving the film one star for unintentional humor. But then it came to Little Red Riding Hood, and I also remembered a line from the first third of the film: "the aerodynamics in this car cannot match the waves", so I ended up giving it one star. It hit the spot like a shark falling on a heliport. Only three more installments to go...
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The level of imbecility of American screenwriters is increasing year by year, and Sharknado is already a concept that probably cannot be surpassed in that circle of films. It was silly to expect some humour and bearable effects, because this is a piece of shit (I can no longer avoid that word) that even with all my empathy and benevolence I just couldn't finish watching it. But don’t miss the final ten minutes, they are phenomenal ;-) 5%
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