Rendező:
Kimberly PeirceOperatőr:
Jim DenaultZeneszerző:
Nathan LarsonSzereplők:
Hilary Swank, Chloë Sevigny, Peter Sarsgaard, Brendan Sexton III, Alicia Goranson, Alison Folland, Rob Campbell, Natalie Zea, Caitlin Wehrle (több)Streaming (3)
Tartalmak(1)
"Falls City, Nebraska,1993. A lakossági bejelentések alapján a várostól nem messze lévő farmon a rendőrség három holttestet fedezett fel. A megbecstelenített és brutálisan meggyilkolt áldozatok kiléte egyelőre nem ismert. A nyomozás nagy erőkkel folyik."
A poros kisvárosba egy elbűvölő fiatalember érkezik. Brandon Teena (Hilary Swank) igazi társasági ember: A helyi srácok hamar befogadják: vonzó, könnyed, szórakoztató haver és megbízható barát. A lányok bomlanak érte: még nem találkoztak ennyire szenvedélyes, ennyire odadó, ennyire őszinte fiúval. Őszinte? Brandon Teena titka súlyos teher. Egy személyben bámulatos szerető, és misztikus idegen, kistílű tolvaj és lánglelkű álmodozó. Ki hagyta el valójában a Falls Citytől csupán néhány mérföldnyire fekvő otthont, hogy ebben a kisvárosban végre olyanná legyen, amilyen mindig is szeretett volna lenni? Ki ez a rejtélyes fiú, aki a városka lakói számára olyan, amilyenek ők soha nem lehettek? A megvalósult álom maga Brandon Teena, aki Falls Cityben megtalálja önmagát, az otthont és az igaz szerelmet (Lana Tisdel - Chloe Sevigny). Mikor azonban most már közös titkuk napvilágra kerül, a nyugodt, unalmas közép-amerikai településen elszabadulnak az indulatok: Brandon, aki hazugságával barátai (Peter Sarsgaard) álmát zúzta össze, meglakol: s a megcsalt társak kegyetlensége nem ismer határokat. A fiúk nem sírnak című film igaz történeten alapszik. A rendező, Kimberly Peirce bejárta a valós helyszíneket, száz és száz interjút készített, hogy minden apró részletre fény derülhessen. Azonban nem csupán a fiú halálának, hanem inkább életének körülményei érdekelték, az embert kereste ebben a megrázó történetben, e sodrodó, szeretetre és otthonra vágyó ifjú amerikai sorsában.
(InterCom)
Recenziók (8)
I’m not a big fun of indie films from an indie environment about indie people. The last half hour is impressive, but I still can’t appreciate the annoying eternity that preceded it. What captivated me the most is how it’s possible that the characters believe Hillary Swank is a boy. She’s good in it, but… seriously?
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An emotionally powerful reconstruction of real events. Although disturbing, it's mainly due to the absolutely magnificent performance of Hilary Swank, who after this experience you'll hardly believe in other films that she's a lady and a pretty one at that.
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Hillary Swank's breathtaking performance against prejudice in its most crystallized form. From this urgently presented drama, the desire for love and understanding is painfully loud, especially in the closed circle of characters and hypnotically immersive environment in which it takes place. For me, however, this environment is disrupted by an overly literal and almost unbearable escalation of hostility. Nevertheless, the multiple performances by the actors, the excellent direction by an unknown director, and the discriminatory theme leave a lasting impact.
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I also considered a fifth star, but as Matty wrote in his script, the characters lack depth...The screenwriter assumed that the issue of sexual identity and an intense bloody conflict at the end would be enough for the audience, and settled for underdeveloped characters within a real criminal case. Thanks to the performances, that will suffice, Hilary Swank will have a hard time surpassing this role. Her transformation overshadowed the others - and that's a shame, because practically all the actors are good - Chloe Sevigny deserves special mention at the very least. Directorially, it is slightly above average, and among the other cinematic ingredients, quality music must be mentioned. Overall impression: 80%.
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Incredibly suggestive and raw filmmaking that doesn't let the viewer breathe and then surprises them in the finale. Hilary Swank delivers a masterful performance, aided not only by a wonderfully written character but also by a significant physical transformation, including a masculine haircut. It's unbelievable the way openly sexuality and relationships are addressed here. The Oscar is in the right hands, and I believe that the Academy didn't have to think twice.
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Hilary Swank is truly incredible, and I couldn't believe that an actress with such strong personal charm could portray a boy so believably. But as much she and Chloe Sevigny excel in front of the camera, Kimberley Peirce somewhat flounders behind it. The story has a strong idea and its unpleasant atmosphere easily gets deep under the skin, but the two hours drag on terribly and most of the characters are portrayed in such a way that you can hardly establish a relationship with them. After it was over, I was left with the nagging feeling that it was really all about Hilary Swank and her short haircut walking determinedly for a well-deserved Oscar, and that the rest of the film was already lost in a vague haze. For me, therefore, 3 1/2*.
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Hilary Swank proved in this film what a great actress she is and I'm glad she was able to repeat that later on. Here, it's great to see how she was able to adapt to the role, how she got into it, and how she was able to portray this tragic fate in such a way that you don't just admire her for her ability, but also because she delivers the plot in such a way that you experience it with her.
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A film with such a strong theme should first and foremost feel believable and credible, which the filmmakers have clearly and quite convincingly managed to do. That "believability and credibility" is achieved here with the help of the actors and the script, which is vital from the author's point of view. The unique performance of Hilary Swank, who at certain moments is perhaps not even acting anymore, but simply "is" the guy, combined with an excellently written story, together create a familiar whole that warns, shocks, moves, and digs very deep into your heart.
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