Rendező:
David HoganOperatőr:
Rick BotaZeneszerző:
Michel ColombierSzereplők:
Pamela Anderson, Temuera Morrison, Victoria Rowell, Xander Berkeley, Udo Kier, Andre Rosey Brown, Clint Howard, Jennifer Banko, Steve Railsback (több)Tartalmak(1)
A jövőben, egy polgárháborútól feldúlt országban található Steel Harbor az utolsó szabad terület. Itt áll egy legendás csehó: a Hammerhead bár. Tulajdonosa még híresebb, ő Barb Wire a kemény és rámenős fejvadász, akit nem birtokolhat és nem verhet át senki. A vonzó idomok igazi harcost rejtenek, aki jól bánik a fegyverekkel és puszta kézzel is nagy veszélyt jelent az ellenfeleinek. Barb Wire egy napon megbízást kap, hogy egy fontos információkkal rendelkező tudóst átjuttasson a polgárháborús övezetből a szabad zónába. Félelmetes és fura figurák keresztezik útjukat, ahol a tét az életben maradás. (Mirax)
(több)Videók (1)
Recenziók (4)
Barb Wire is not a classic, either in the comics or the movies. The character is relatively new, having originally been published by Dark Horse in 1993. And the film itself is a typical product of its time, perfect material for Pamela Anderson fans. Others have no reason to waste their time with it.
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Anyone from the audience who complains about the level of Judge Dredd should watch this gem of a comic adaptation first. It is quite possible that Judge Dredd himself would then rise to unimaginable heights. It's a typical B-movie production that uses Pamela Anderson's silicone-enhanced chest as the biggest attraction for the viewers. The plot is completely ordinary, without any unexpected twists, and the execution is below average. There is a noticeable lack of impressive scenes, and the budget was clearly limited. It is best to forget about this comic adaptation as quickly as possible. Pamela's performance does not deserve more than 15% of the overall impression.
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It’s stupid and poorly directed, but there are still a few clever ideas to be found. It’s definitely not one of the worst films of all time, it has far too cool of a protagonist for that, as well as surprisingly well-shot action, and most importantly, a healthy dose of satire and self-parody. Pamela Anderson stylishly delivers her lines while her long hair flies in the air as coolly as she does in her sexy leather outfit. The opening water dance alone is worth watching. The plot is absolutely empty and uninteresting, but nothing else can be expected. That said, the portrayal of the USA after the second civil war looks quite interesting, and the panoramic shots of the distant smokestacks of a destroyed city slightly mirror those from Blade Runner. Decent mindless entertainment, with Pamela Anderson adding one star. Her best role.
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I got exactly what I wanted. Pamela Anderson. I simply felt nostalgia from my childhood, when I was in love with Pamela. Not quite in the style of Borat, but puberty does its thing. And so I enjoyed this film, especially because its course is very B-movie-esque. That striptease at the beginning is awesome. Too bad it’s at the beginning.
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