1001 Gece
Rendező:
Kudret SabancıOperatőr:
Tolga ÇetinSzereplők:
Bergüzar Korel, Halit Ergenç, Tardu Flordun, Ceyda Düvenci, Metin Çekmez, Tomris Incer, Ergün Demir, Hazal Gürel, Sennur Kaya, Ahu Sungur (több)Évad(3) / Epizódok(90)
Tartalmak(1)
A történet középpontjában Sehrazat áll, a tehetséges fiatal mérnöknő, aki egy jó nevű építőipari vállalatnál dolgozik. Van egy ötéves kisfia, akinél leukémiát diagnosztizáltak, s az élete megmentéséhez egy sürgős és nagyon drága műtétre lenne szükség. Sehrazat persze reménytelenül kutatja a lehetőségeket, hogy hogyan tudná előteremteni a csontvelő-átültetéshez szükséges tetemes összeget, az idő pedig egyre sürgeti: a fia élete veszélyben van. Egyetlen megoldásként pedig főnöke, Onur ajánlata kínálkozik. A férfi ugyanis felajánlja, hogy állja a műtét összegét, cserébe azonban azt kéri Sehrazattól, hogy titokban töltsön vele egy éjszakát. (TV2)
(több)Recenziók (4)
I'm quite a sucker for all kinds of series, but after trying hard and watching the first few episodes, I admit that it’s a no-go in this case. The whole thing is unnecessarily drawn out and tragic.
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This is exactly one of those rare things I won't even try because I'm (rightly) afraid of giving it a garbage rating! And I sure as hell don't like doing that. I won't do it, I'll be happy, I may not have anything to talk to about with a million and a half people, but I'll survive. But it's the first time I've seen a rating composed entirely of garbage. Interesting, the poor Turks ^^
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I laughed out loud. I really enjoyed it. Good god, I’ve never heard such unusual names. The editing is just awful. Story escalation is used in a way I have never seen, even in the biggest Czech nonsense. They draw it out further and further until it fizzles out. My surprised expression and the enjoyment was worth those twenty minutes I watched. That’s why I gave it one star. If I were to watch it more than once... who knows? Maybe I would have kicked the TV in.
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For these types of soap operas, the target audience is indeed 60+ and they are men and women who have only had a basic range of TV programs for years and are not used to the internet. They appreciate the beautiful production design, the storyline that captivates from the very first episode, and above all, the decency. Indeed, the exoticism and the novelty of the story, which builds on values that the general population has lost, is gone.
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