Rendező:
Michael BrandtOperatőr:
Jeffrey L. KimballZeneszerző:
John DebneySzereplők:
Richard Gere, Topher Grace, Stephen Moyer, Stana Katic, Odette Annable, Martin Sheen, Jeffrey Pierce, Chris Marquette, Tamer Hassan, Ele Bardha (több)Tartalmak(1)
Washingtonban meggyilkolnak egy szenátort. A gyilkos sajátos módszere arra utal, hogy az egykori szovjet ügynök keze lehet a dologban. A Cassius fedőnevű fickó régi ismerőse a CIA-énak, az egyetlen gond, hogy mindenki úgy tudta, meghalt. A fiatal, zöldfülű FBI-ügynök, Ben Geary mellé ezért bevonják a nyomozásba Paul Shepherdsont, az egykori, tapasztalt kémelhárítót, aki sokáig hiába vadászott Cassiusra. Geary, aki Cassiusról írta a disszertációját, meg van győződve róla, hogy a kém aktivizálta magát, ám Shepherdson szerint mások állnak az ügy hátterében. (Fórum Hungary)
(több)Recenziók (2)
Richard Gere’s movies are generally very underrated on this site. For example, The Hunting Party or The Mothman Prophecies. That’s why I thought that no matter the rating on here, the movie can actually be a pretty well-made thriller. I don’t really care about the average ratings and when it comes to Richard Gere’s movies, I technically ignore the ratings altogether. I can honestly say that I was really excited about this movie. Truly excited. And frankly, it was a fairly big disappointment. The story is crazy, the execution is very B-grade, the music also plays into all that. Only the actors aren’t terrible, but that’s just not enough for a political thriller that’s supposed to come up with something… shocking, which the movie was, but it didn’t really evoke any emotions in me. I’d even say that the director messed up big time.
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Richard Gere has a lot of bad luck, when someone finally gives him a role where he could excel, it's a mess that he can't make a good movie out of. The Double could have been a decent spy rom, but instead it's thoughtless, visually unappealing, and ultimately quite boring and unconvincing, relying solely on somewhat decent actors. It really kills the B-movie feeling, because it has many things that are similar, and sometimes even better (less polished) than, for example, in The Sentinel, but due to the limited budget and fewer big names, The Double unfortunately gets lost in the final assessment and falls into oblivion. Its siblings seem much cooler at first glance, which is very important within the genre. The double catharsis can be survived, and based on the trailer, one somewhat expects it.
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