Zejtra napořád

This looked interesting already in the trailer, which was confirmed by the movie itself. The plot has some holes in it, but it’s bearable. That is, if you don’t mind that the protagonist has an accident in a field close to Prachatice, and his friend coming for him from Prague takes like five minutes to get there. And the same goes later for Brno and Ostrava, as if every city in our country was just behind the corner. Anyhow, it is filmed well and the actors were incredibly entertaining. I hope to see Pavel Batěk, Filip Blažek and Vica Kerekes in more movies in the future. They are easy on the eyes and very good actors. (2014.11.30)

When the cosmopolitan poster appeared in the summer months, the only question of uncertainty was whether the proclaimed faces could withstand such a project in Czech conditions. Surprisingly, both Vica Kerekes and Pavel Batěk are up to it. Vica can play a distinctive and sexy girl without cheap vulgarization and Batěk is an interesting alternative to the main protagonists of today, although he is the same visual type as Matěj Hádek. The third main character is played by Filip Blažek, who, after years of theater and TV work, also knows how to find a suitable position that does no harm and is fully helpful to the whole. Issová and Přeučil took the supporting roles just to make sure, and the only one who again didn't pay attention to anything integral and created an original acting etude on the theme was Lábus, but that's why we all like him so much. So, in sum, can a Czech-Slovak film travel from Prague to Brno, Ostrava, and Beijing and still remain interesting, suspenseful, and believable? And also deal with a cliffhanger of a gradation that is unmatched even by the world's best melodramas? Yes, it can. I’m thankful we have it. Cosmopolitanism be damned, this year I'd like to see All My Tomorrows as the favorite to receive the award for best Czech film. (2015.01.18)

More Czech films like this, please, but with a better script. All My Tomorrows is a skillfully shot and acted air vacuum, which benefits from several "proven" clichés (especially the main romantic plot is horrible) and takes away the unusual things and characters that deserve more attention (especially the mafioso Jiří Lábus). Rudolf Havlík has talent. (2016.02.04)

A badly told story with an unsympathetic protagonist who behaves like the biggest idiot. In frequent voiceovers, he often spews forth some bloated, would-be philosophical wisdom. The plot is stupid and the "comedy" plots don't work (I laughed twice during the movie). The best character is the friend of the main protagonist, played by Filip Blažek, who is as a good a person as they come. If I had to travel by car from Prague to Prachatice and back and then back to Ostrava, whenever the main protagonist wanted me to, I would honestly give it up quite quickly. The film is not bad from a craftsmanship perspective, but in terms of content, it is terrible. (2014.07.12)

There wasn't as much romance as usual, but a typical Czech cringeworthy attempt at a dramatic action scene ruined everything. The writing was pathetic, just like I had expected, and so were the acting performances, thanks to which Filip Blažek clearly stood out as a star. The subplots were quite bizarre. I couldn't find a reason to give it a single star. Still, if Rudolf Havlík made a fifteen-minute short film in which Pavel Batěk and Filip Blažek brutally beat Michal Kavalčík, I would immediately give it five stars and add it to my top ten. / Lesson learned: Every psychologist should have their own psychologist. (2023.03.07)

I don't know if it was really meant to be a comedy, because it doesn't really work in that way in my opinion, but it does work as a romance, and it has a little bit of something grittier, but again it doesn't go beyond that. Vica is unfortunately quite annoying here, although she still looks incredibly good. The characters overall failed to draw me in that much. The filmmakers are good. (2016.12.19)