The Last Exorcism
The Last Exorcism
The Last Exorcism
Rendező:
Daniel StammOperatőr:
Zoltan HontiZeneszerző:
Nathan BarrSzereplők:
Patrick Fabian, Ashley Bell, Louis Herthum, Caleb Landry Jones, Carol Sutton, Shanna ForrestallTartalmak(1)
When he arrives on the rural Louisiana farm of Louis Sweetzer, the Reverend Cotton Marcus expects to perform just another routine "exorcism" on a disturbed religious fanatic. An earnest fundamentalist, Sweetzer has contacted the charismatic preacher as a last resort, certain his teenage daughter Nell is possessed by a demon who must be exorcized before their terrifying ordeal ends in unimaginable tragedy. Buckling under the weight of his conscience after years of parting desperate believers from their money, Cotton and his crew plan to film a confessionary documentary of this, his last exorcism. But upon his arrival at the already blood-drenched family farm, it is soon clear that nothing could have prepared him for the true evil he encounters there. Now, too late to turn back, Reverend Marcus' own beliefs are shaken to the core as he and his crew must find a way to save Nell - and themselves - before it is too late. (forgalmazó hivatalos szövege)
(több)Videók (3)
Recenziók (2)
Even though "The Last Exorcism" is definitely not a particularly inventive film, I still had the feeling after some time that this is a found footage movie that can be watched, and where it is shown that the possibilities are here - if only the creators didn't try so hard to show the audience what is expected. They precisely do this in the film and it's a shame, because its ending is absolutely uninteresting and cliché.
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The modern obsession with realism has already penetrated the exorcism sub-genre. I have only one complaint about the documentary format, that the cameraman feels quite dead at times – he never gets very involved in the events, nor does he speak much, to the point that a couple of times I forgot that there is a character behind the camera. The horror moments work great, but there aren’t many of them. I didn’t mind much the oft-criticised ending. A very decent piece produced by Eli Roth, who shows he can put his fingers in more serious genre efforts. 7/10
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