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René Clair amerikai emigrációban forgatott vígjátékának hősnője elhagyja Európát, hogy New Orleansban kezdjen új életet. Párizsi grófnőnek adja ki magát, és énekesnőként fut be karriert. Hamarosan kérője is akad egy gazdag bankár személyében, de minden ésszerűség ellenére a bankárnál jobban vonzódik egy jóképű hajóskapitányhoz… (Örökmozgó)

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angol It was war time. Let's face it. Back then, more than ever, Europeans were forced to flee to Hollywood instead of worshiping it. One such example is the fate of René Clair, who, though he greeted freedom in his 31st year, did not know in the next decade whether he could manage a false double role for Marlene in a fairy tale story of one-liners. On the other hand, every significant change was a benefit for Marlene, because on such a large surface she could once again show that she can play roles completely different than just various singers. In this film, she actually played just one of the many variations of her own nature, which had fully erupted by the time she became a grandmother, and the audience unknowingly got a kick out of this even before she turned 40. It's not a perfect film, it's quite adorned, but a true Dietrichophile can certainly and unerringly handle it. ;) ()

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